I'm not There

Regular price €88.99
Title
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Noah Tsika
Author_Noah Tsika
biographical film
Bob Dylan
Cate Blanchett
Category=ATFA
Category=AVN
Category=AVP
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_music
eq_nobargain
eq_non-fiction
Far from Heaven
film analysis
film music
film soundtrack
filmmaking
Grain of Sand
independent film
indie film
intellectual property
IP
queer cinema
queer film
queer filmmakers
Superstar: The Karen Carpenter Story
Todd Haynes
Velvet Goldmine

Product details

  • ISBN 9781477328590
  • Weight: 454g
  • Dimensions: 127 x 178mm
  • Publication Date: 14 Nov 2023
  • Publisher: University of Texas Press
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

An examination of director Todd Haynes and his Bob Dylan biopic.

As the first and only Bob Dylan “biopic,” I’m Not There caused a stir when released in 2007. Offering a surreal retelling of moments from Dylan’s life and career, the film is perhaps best known for its distinctive approach to casting, including Cate Blanchett and Marcus Carl Franklin, a Black child actor, as versions of Dylan though none of the characters bear his name. Greenlit by Bob Dylan himself, the film uses Dylan’s music as a score, a triumph for famed queer filmmaker Todd Haynes after encountering issues with copyright in previous projects.

Noah Tsika eloquently characterizes all the ways that Dylan and Haynes harmonize in their methods and sensibilities, interpreting the rule-breaking film as a biography that refuses chronology, disdains factual accuracy, flirts with libel, and cannibalizes Western cinema. Fitting the film’s inspiration, creation, and reception alongside its continuing afterlife, Tsika examines Dylan’s music in the film through the context of intellectual property, raising questions about who owns artistic material and artistic identities and how such material can be reused and repurposed. Tsika’s adventurous analysis touches on gender, race, queerness, celebrity, popular culture, and the law, while offering much to Haynes and Dylan fans alike.

Noah Tsika is a professor of media studies at Queens College, CUNY. He is the author of Cinematic Independence: Constructing the Big Screen in Nigeria, Screening the Police: Film and Law Enforcement in the United States, Pink 2.0: Encoding Queer Cinema on the Internet, and other books on film.

More from this author