Image Testimonies

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Abu Rahma
affect
affect theory
Affective Witnessing
Amer Matar
Amit Pinchevski
ANC Politician
Black Lives Matter Movement
Castile's Death
Castile’s Death
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Category=JHB
Christoph Gunther
conflict documentation
digital visual culture
Dominic Ongwen
Drone Vision
emotion
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eq_nobargain
eq_non-fiction
eq_society-politics
Facebook Live
Facebook Live Video
Goodman Gallery
Guevara Namer
iconoclasm
IDP
IDP Camp
image
Image Testimonies
Islamic State's Video
Islamic State’s Video
Johannesburg Art Gallery
Jonas Bens
Kari Anden-Papadopoulos
Kerstin Schankweiler
Marianna Liosi
media ethics
Michael Richardson
Michal Givoni
Mobile Phone Camera
online political activism
Palestinian Political Culture
Paul Frosh
Penelope Papailias
Perpetrator Testimony
political conflict
Public Tv Station
Sascha Simons
Simon Faulkner
social media
social media image witnessing practices
testimony
Tobias Wendl
Tom Bioly
UCT Campus
Verena Straub
Video Testimonies
Video Witnesses
visual ethnography
web videos
witnessing
Witnessing in the Social Media Age
Yediot Ahronot
Young Man

Product details

  • ISBN 9781138343061
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Dec 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Recent political conflicts signal an increased proliferation of image testimonies shared widely via social media. Although witnessing with and through images is not a phenomenon of the internet era, contemporary digital image practices and politics have significantly intensified the affective economies of image testimonies. This volume traces the contours of these conditions and develops a conception of image testimony along four areas of focus.

The first and second section of this volume reflects the discussion of image testimonies as an interplay of evidential qualities and their potential to express affective relationalities and emotional involvement. The third section focuses on the question of how social media technologies shape and subsequently are shaped by image testimonies. To further complicate the ethical position of the witness, the final section looks at image testimony at the intersection of creation and destruction, taking into account the perspectives of different actors and their opposed moral positions.

With an emphasis on the affectivity of these images, Image Testimonies provides new and so far overlooked insights in the field. It will appeal to students and researchers interested in fields such as Sociology and Social Policy, Media and Communications, Visual Arts and Culture and Middle East Studies.

Kerstin Schankweiler is an art historian and postdoctoral researcher at the Collaborative Research Center Affective Societies at Freie Universität Berlin, Germany.

Verena Straub is an art historian and research associate at the Collaborative Research Center Affective Societies at the Freie Universität Berlin, Germany.

Tobias Wendl is Professor for the Arts and Visual Cultures of Africa at the Institute of Art History, Freie Universität Berlin, Germany.