Image, Word, and Catholicism in Ben Jonson’s Works

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A01=Steven Hrdlicka
Author_Steven Hrdlicka
Bartholomew Fair
Ben Jonson Catholic visual imagination
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Catholicism
drama
early modern literature
English Catholic writers
Epigrams
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Jesuit
Jesuit influence
metaphysical poetry analysis
Painting
Religion
religious poetics
Renaissance Literature
The Alchemist
Theology
verse
Visual Arts
visual culture studies
Volpone

Product details

  • ISBN 9781032865287
  • Weight: 560g
  • Dimensions: 152 x 229mm
  • Publication Date: 28 May 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The first monograph to address Ben Jonson’s thought on the visual arts, Image, Word, and Catholicism in Ben Jonson’s Works: Curating Pictures, shows how Jonson placed a high value on the visual arts and the extent to which he designed his poetics around visual frames. Until this point, scholarship has been oddly divided on these points. Addressing a wider range of evidence than previous studies, Image, Word, and Catholicism in Ben Jonson’s Works both resolves this division and explains it by surveying the influence of Catholic ideas Jonson encountered during the early part of his literary career (1598–1610), while he was a formal member of the Roman Church. Examining Jonson’s works alongside the writings of Catholic writers such as Thomas Palmer, Thomas Wright, Robert Southwell, and Ignatius of Loyola, this work proposes a fresh sketch of Jonson’s nuanced visual imagination and suggests ways to situate his poetry within this important context.

Steven Hrdlicka studied with Richard Harp at UNLV. He teaches English and Humanities at Great Basin College in Elko, Nevada, and has published articles and book chapters on Shakespeare, Jonson, Milton, the Irish Painter Jack B. Yeats, and Tolkien. His scholarship has appeared in The Arden Shakespeare, Religion and the Arts, The Ben Jonson Journal, Gale Researcher, and Norton. He is co-editor of Quidditas, a journal of Medieval and Renaissance Studies

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