Imagery of Lynching

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A01=Dora Apel
American society
antilynching forces
Author_Dora Apel
blackness
Category=AG
Category=AJ
Category=DNXC
Category=JBFA
Category=JBFA1
Category=JBSL
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
gender
historical analysis
historical trauma
imagery
interracial desire
lynching
postcards
racial discrimination
racial hierarchies
racial identity
racial ideologies
racial imagery
racial injustice
racial justice
racial oppression
racial prejudice.
racial stereotypes
racial tensions
racial violence
representation
social commentary
social justice
taboo subject
trauma
visual culture
visual documentation
whiteness

Product details

  • ISBN 9780813534596
  • Weight: 626g
  • Dimensions: 178 x 254mm
  • Publication Date: 03 Sep 2004
  • Publisher: Rutgers University Press
  • Publication City/Country: US
  • Product Form: Paperback
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Outside of the classroom and scholarly publications, lynching has long been a taboo subject. Nice people, it is felt, do not talk about it, and they certainly do not look at images representing the atrocity.

In Imagery of Lynching, Dora Apel contests this adopted stance of ignorance. Through a careful and compelling analysis of over one hundred representations of lynching, she shows how the visual documentation of such crimes can be a central vehicle for both constructing and challenging racial hierarchies. She examines how lynching was often orchestrated explicitly for the camera and how these images circulated on postcards, but also how they eventually were appropriated by antilynching forces and artists from the 1930s to the present. She further investigates how photographs were used to construct ideologies of "whiteness" and "blackness," the role that gender played in these visual representations, and how interracial desire became part of the imagery.

Offering the fullest and most systematic discussion of the depiction of lynching in diverse visual forms, this book addresses questions about race, class, gender, and dissent in the shaping of American society. Although we may want to avert our gaze, Apel holds it with her sophisticated interpretations of traumatic images and the uses to which they have been put.

Dora Apel is the W. Hawkins Ferry Chair in Modern and Contemporary Art at Wayne State University. She is the author of Memory Effects: The Holocaust and the Art of Secondary Witnessing.

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