Images of Imperial Rule

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A01=Hugh Ridley
American Literature
Author_Hugh Ridley
British French German fiction
Category=DS
Category=NHB
Category=NHTQ
Christianity
Civilization
Class
Colonial Administration
colonial discourse analysis
Colonial Fiction
Colonial Literature
Colonial Writers
Colonies in Literature
Colonization
Colony
comparative literature studies
Cook's Son
Cook’s Son
Crusoe's Island
Crusoe’s Island
Development
Education
English Colonial Literature
English Literature
Environment
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ernest Psichari
European Class System
European colonial narratives
Exotic Literature
Exotic Tradition
Exotic Writing
Fiction
Finance
Flora Annie Steel
Forests
French Literature
Galley Slave
Gender
German Literature
Gustav Frenssen
Hugh Ridley
Ideology
Inter-racial Liaisons
Kipling's Vision
Kipling’s Vision
Les Natchez
Marriage
Masterman Ready
Maud Diver
Myrica Cerifera
Nationalism
nineteenth-century imperialism
Opium
postcolonial literary theory
Race
Racism
Revolution
Robinson Crusoe
Slavery
transnational colonial literature comparison
White Colonial Society
White Marriages
Wild Duck
Young Man

Product details

  • ISBN 9781138499263
  • Weight: 360g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Nov 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Originally published in 1983. In the late nineteenth century as the European powers divided the world between themselves and scrambled over Africa, so their writers went with them, recording in fiction, as well as in historical narrative, the events and issues of the colonial expansion. The literature which they left behind them is the subject of this book.

Taking Robinson Crusoe as the starting point for colonial literature, the book looks at linking themes and ideas in the colonial literatures of England, Frances and Germany. In drawing the attention of English-speaking readers to the writing of these other countries, English fiction is placed in a wider context. The comparison also emphasises a homogeneity in the various traditions of colonial literature which goes beyond mere flag waving.

Hugh Ridley

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