Imagination and the Imaginary

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A01=Kathleen Lennon
account
affect theory
Author_Kathleen Lennon
Bald Naturalist
Beauvoir's Account
Beauvoir’s Account
Bodily Imaginaries
Cat Walking
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Confers
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Dominant Imaginaries
embodiment studies
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Expressive Content
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Imaginary Shape
Imaginary Significations
Imaginary Texture
Imaginary Unity
imaging
Imaging Consciousness
Kant's Transcendental Project
Kant’s Transcendental Project
Merleau Ponty's Term
Merleau Ponty’s Term
Oppressive Social Identities
Part III
perception imagination bodily experience
phenomenological philosophy
philosophy of perception
picture
psychoanalytic theory
reproductive
Reproductive Imagination
Sartre's Account
Sartrean Insights
Sartrean Picture
sartres
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shape
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Social Imaginaries
Social Imaginary Significance
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Tightrope Walker
Vice Versa
Wilful Misrepresentation

Product details

  • ISBN 9781138574007
  • Weight: 290g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Oct 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The concept of the imaginary is pervasive within contemporary thought, yet can be a baffling and often controversial term. In Imagination and the Imaginary, Kathleen Lennon explores the links between imagination - regarded as the faculty of creating images or forms - and the imaginary, which links such imagery with affect or emotion and captures the significance which the world carries for us.

Beginning with an examination of contrasting theories of imagination proposed by Hume and Kant, Lennon argues that the imaginary is not something in opposition to the real, but the very faculty through which the world is made real to us. She then turns to the vexed relationship between perception and imagination and, drawing on Kant, Merleau-Ponty and Sartre, explores some fundamental questions, such as whether there is a distinction between the perceived and the imagined; the relationship between imagination and creativity; and the role of the body in perception and imagination. Invoking also Spinoza and Coleridge, Lennon argues that, far from being a realm of illusion, the imaginary world is our most direct mode of perception. She then explores the role the imaginary plays in the formation of the self and the social world.

A unique feature of the volume is that it compares and contrasts a philosophical tradition of thinking about the imagination - running from Kant and Hume to Strawson and John McDowell - with the work of phenomenological, psychoanalytic, poststructuralist and feminist thinkers such as Merleau-Ponty, Sartre, Lacan, Castoriadis, Irigaray, Gatens and Lloyd. This makes Imagination and the Imaginary essential reading for students and scholars working in phenomenology, philosophy of perception, social theory, cultural studies and aesthetics.

Cover Image: Bronze Bowl with Lace, Ursula Von Rydingsvard, 2014. Courtesy the artist, Galerie Lelong and Yorkshire Sculpture Park. Photo Jonty Wilde.

Kathleen Lennon is Professor of Philosophy in the School of Politics, Philosophy and International Studies at the University of Hull, UK. Her most recent publications include the co- authored books The World the Flesh and the Subject (2005) and Theorizing Gender (2002), and the co-edited volume Embodied Selves(2013).

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