Imagined China

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11th CPC Central Committee
A01=Wang Haizhou
Art
Author_Wang Haizhou
Black Cannon Incident
Category=ATF
Category=GTM
Category=JBCC
Category=JBCT
Category=NH
character archetypes
Chinese Films
Cinema
cinematic space theory
Contemporary Chinese Cinema
CPC Central Committee
cultural identity transformation
Cultural Revolution
Culture and society
Eleventh CPC Central Committee
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Feng Lu
film narrative analysis
History
Hometown Accent
Huang Jianxin
intellectual discourse cinema
Li Xiangnan
Liu Fang
Lushan Mountain
Main Character
Mao Zedong
Mirror Image Relations
Municipal Party Committee
narrative conflict in 1980s Chinese films
Qin Jian
Senior Cadres
Shanghai Film Studio
sociopolitical representation
Special Economic Zone
Veteran Cadres
Wang Shuo
Young Man
Zhou Hang

Product details

  • ISBN 9781032254418
  • Weight: 512g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 May 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores how Chinese films constructed an image of China in the 1980s through analyzing the characters, composition of space, and conflict patterns of the films. It also examines the relationship between the representations in Chinese cinema and the realities of Chinese society.

The study analyzes the imagery, metaphors, and cultural values of Chinese films in the 1980s to discover the common creative focus of Chinese film directors at the time. It also examines the specific creative elements and cultural significance of Chinese cinema in the 1980s. This book is neither a “period history” of Chinese cinema in the 80s, nor a thematic study of the “fifth generation”. Rather, it is an analysis of films as narrative texts that reflected on history. It uses the perspectives revealed by characters, narrative patterns, and conflicts in films of the 1980s to examine how the era was perceived at that time as well as how China’s national future and individuals’ personal futures were being conceptualized.

This title will be a valuable resource for scholars and students of Chinese Studies, Contemporary China Studies, Film Studies, and those who are interested in Chinese culture and society in general.

Author:
Wang Haizhou is a professor of film studies at Beijing Film Academy and specializes in Chinese film studies, the general history, dynastic history and regional history of Chinese films. He recently focuses on the research of Chinese film, Chinese culture and tradition as well as artistic tradition.

Translator:
Jin Haina is a professor of translation, film and communication studies at the Communication University of China. Her research interests include film translation, translation history, and film history.

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