Imagining Reality

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A01=Kevin Macdonald
A01=Mark Cousins
Author_Kevin Macdonald
Author_Mark Cousins
bowling for columbine
Category=ATFA
Category=ATY
Category=NHT
chris marker
documentaries
documentary film a very short introduction
documentary filmmaking
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
nick broomfield
touching the void

Product details

  • ISBN 9780571225149
  • Weight: 490g
  • Dimensions: 135 x 217mm
  • Publication Date: 19 Oct 2006
  • Publisher: Faber & Faber
  • Publication City/Country: GB
  • Product Form: Paperback
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In Imaging Reality: The Faber Book of Documentary, Oscar-winning documentary-maker Kevin Macdonald (One Day in September, Touching the Void) and leading broadcaster/historian Mark Cousins (The Story of Film) offer an expanded, revised edition of their 'definitive, inspirational' (Independent) compendium on the roots and history of the documentary film.

Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield.

The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War.

Kevin Macdonald is the Oscar-winning director of One Day in September, Into the Void, The Last King of Scotland, State of Play and Eagle of the Ninth. His biography of his grandfather, Emeric Pressburger: The Life and Death of a Screenwriter, is also published by Faber.

Mark Cousins is a broadcaster, historian and film critic, the author of The Story of Film and Widescreen: Watching. Real. People. Elsewhere. He writes regularly for the film magazine Prospect and is an honorary lecturer in film, media and journalism at the University of Stirling.

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