Imagining Sisterhood in Modern Chinese Texts, 1890–1937

Regular price €112.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Yun Zhu
Age Group_Uncategorized
Age Group_Uncategorized
Author_Yun Zhu
automatic-update
Category1=Non-Fiction
Category=DSBF
Category=DSBH
Category=HBTB
Category=JBSF11
Category=JFFK
Category=NHTB
China
Chinese culture
Chinese literature
Chinese Women
contested modernities
COP=United States
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
gender and sexuality
Language_English
PA=Available
Price_€100 and above
PS=Active
representations of women
Sisterhood
softlaunch
women's literature

Product details

  • ISBN 9781498536295
  • Weight: 476g
  • Dimensions: 159 x 239mm
  • Publication Date: 16 Mar 2017
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
This book investigates sisterhood as a converging thread that wove female subjectivities and intersubjectivities into a larger narrative of Chinese modernity embedded in a newly conceived global context. It focuses on the period between the late Qing reform era around the turn of the twentieth century and the outbreak of the Second Sino-Japanese War in 1937, which saw the emergence of new ways of depicting Chinese womanhood in various kinds of media. In a critical hermeneutic approach, Zhu combines an examination of an outside perspective (how narratives and images about sisterhood were mobilized to shape new identities and imaginations) with that of an inside perspective (how subjects saw themselves as embedded in or affected by the discourse and how they negotiated such experiences within texts or through writing). With its working definition of sisterhood covering biological as well as all kinds of symbolic and metaphysical connotations, this book exams the literary and cultural representations of this elastic notion with attention to, on the one hand, a supposedly collective identity shared by all modern Chinese female subjects and, on the other hand, the contesting modes of womanhood that were introduced through the juxtaposition of divergent “sisters.” Through an interdisciplinary approach that brings together historical materials, literary and cultural analysis, and theoretical questions, Zhu conducts a careful examination of how new identities, subjectivities and sentiments were negotiated and mediated through the hermeneutic circuits around “sisterhood.”
Yun Zhu is assistant professor of Chinese and Asian studies at Temple University.

More from this author