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Imagist Poetry
a tale of two cities
A01=Peter Jones
Author_Peter Jones
beyond good and evil
brighton rock
catcher in the rye
Category=DCQ
emily dickinson
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eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
how to write a book
it couldn't happen here
meditations marcus aurelius
north and south elizabeth gaskell
on the road jack kerouac
one flew over the cuckoos nest
paradise lost
poet
robert mcfarlane books
robinson crusoe
shakespeare sonnets
the communist manifesto
the divine comedy
the old ways
the prophet khalil gibran
the ragged trousered philanthropist
the wasp factory
thus spoke zarathustra
tristram shandy
ulysses james joyce
Product details
- ISBN 9780141185705
- Weight: 146g
- Dimensions: 129 x 197mm
- Publication Date: 29 Mar 2001
- Publisher: Penguin Books Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as ‘a doughy mess of third-hand Keats, Wordsworth … half-melted, lumpy’. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should ‘use no superfluous word, no adjective, which does not reveal something … it does not use images as ornaments. The image itself is the speech’. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, ‘imagistic ideas still lie at the centre of our poetic practice’.
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