Imitation (Routledge Revivals)

Regular price €198.40
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Joel Weinsheimer
Accidental Original
Author_Joel Weinsheimer
Category=DSA
Category=DSB
Curious Historical Facts
Epic Rules
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fairy
Fairy Queene
Held
human
Human Wishes
Imitative Animal
literary
Literary Historiography
Master's Notions
Millstone
mimetic
Mimetic Originality
Mrs Thrale
original
Patient's Illness
queene
Remote Ages
semiotic
Semiotic Chain
Semiotic Situation
situation
Spenser's Imitations
Superb
Sweet Oblivious Antidote
Unpolished Age
vanity
Vice Versa
Violated
Warton's Historicism
Warton's Poems
wishes
Young's Attempt

Product details

  • ISBN 9781138808645
  • Weight: 570g
  • Dimensions: 138 x 216mm
  • Publication Date: 13 Jun 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

In this book, first published in 1984, Joel Weinsheimer advocates revitalizing the practice of imitating literature as a mode appropriate for literary critics as well as artists. The book is not only about imitation; it is itself an imitation, specifically of Samuel Johnson. As both the focus and mode of presentation, imitation is presented not merely as a kind of poetry that once flourished in the eighteenth century but also as a kind of criticism particularly relevant today. Applying arguments from philosophy of science, deconstruction, psycho-analysis, literary theory, semiotics and hermeneutics, Weinsheimer shows that the three main currents of thought responsible for forcing imitation underground were empiricism, originalism and historicism. The three central chapters of the book concentrate on their representatives: John Locke, Edward Young and Thomas Warton. The author then applies Johnsonian arguments – supported by those of Gadamer Peirce – to challenge those objections and re-establish imitation as an intellectually defensible mode of writing.

More from this author