Immateriality and Early Modern English Literature
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A01=James A. Knapp
Author_James A. Knapp
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Immateriality
lyric poetry
Materiality
Natural Philosophy
Phenomenology
Shakespeare
Product details
- ISBN 9781474457101
- Weight: 848g
- Dimensions: 156 x 234mm
- Publication Date: 21 Apr 2020
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Hardback
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Examines literary engagement with immateriality since the ‘material turn’ in early modern studies
Provides six case studies of works by Shakespeare, Donne, and Herbert, offering new readings of important literary texts of the English Renaissance alongside detailed chapters outlining attitudes towards immateriality in works of natural philosophy, medicine, and theologyEmploys an innovative organization around three major areas in which problem of immaterial was particularly pitched: Ontology, Theology, and Psychology (or Being, Believing, and Thinking)Includes wide-ranging references to early modern literary, philosophical, and theological textsDemonstrates how innovations in natural philosophy influenced thought about the natural world and how it was portrayed in literatureEngages with current early modern scholarship in the areas of material culture, cognitive literary studies, and phenomenology
Immateriality and Early Modern English Literature explores how early modern writers responded to rapidly shifting ideas about the interrelation of their natural and spiritual worlds. It provides six case studies of works by Shakespeare, Donne and Herbert, offering new readings of important literary texts of the English Renaissance alongside detailed chapters outlining attitudes towards immateriality in works of natural philosophy, medicine and theology. Building on the importance of addressing material culture in order to understand early modern literature, Knapp demonstrates how the literary imagination was shaped by changing attitudes toward the immaterial realm.
James A. Knapp is Professor and Director of Graduate Programs in the English Department at Loyola University Chicago. His work focuses on the intersections of philosophy, literature, and visual culture in early modern Britain. He is the author of Illustrating the Past in Early Modern England (2003) and Image Ethics in Shakespeare and Spenser (2011), and his essays on early modern literature and culture have appeared in Shakespeare Quarterly, ELH, Criticism, and numerous essay collections.
