Immigration and American Popular Culture

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A01=Jeffrey Melnick
A01=Rachel Lee Rubin
American
Author_Jeffrey Melnick
Author_Rachel Lee Rubin
between
case
Category=JBCC1
Category=JBFH
century
culture
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
immigrants
Immigration
industry
looks
popular
relationship
series
studies
through
twentieth

Product details

  • ISBN 9780814775530
  • Weight: 408g
  • Dimensions: 152 x 229mm
  • Publication Date: 06 Dec 2006
  • Publisher: New York University Press
  • Publication City/Country: US
  • Product Form: Paperback
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A unique study that hones in on the cross-section and interdependency of immigration and American cultural production
How does a 'national' popular culture form and grow over time in a nation comprised of immigrants? How have immigrants used popular culture in America, and how has it used them?
Immigration and American Popular Culture looks at the relationship between American immigrants and the popular culture industry in the twentieth century. Through a series of case studies, Rachel Rubin and Jeffrey Melnick uncover how specific trends in popular culture—such as portrayals of European immigrants as gangsters in 1930s cinema, the zoot suits of the 1940s, the influence of Jamaican Americans on rap in the 1970s, and cyberpunk and Asian American zines in the1990s—have their roots in the complex socio-political nature of immigration in America.
Supplemented by a timeline of key events and extensive suggestions for further reading, Immigration and American Popular Culture offers at once a unique history of twentieth century U.S. immigration and an essential introduction to the major approaches to the study of popular culture. Melnick and Rubin go further to demonstrate how completely and complexly the processes of immigration and cultural production have been intertwined, and how we cannot understand one without the other.

Rachel Lee Rubin is Professor of American Studies at the University of Massachusetts Boston. She is author of Immigration and American Popular Culture (with Jeffrey Melnick, NYU Press) and Jewish Gangsters of Modern Literature, and co-editor of American Popular Music: New Approaches to the Twentieth Century and Radicalism in the South since Reconstruction. Jeffrey Melnick is Associate Professor of American Studies at Babson College. He is author of A Right to Sing the Blues: African Americans, Jews, and American Popular Song and Black-Jewish Relations on Trial: Leo Frank and Jim Conley in the New South.

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