Impact of Buddhism on Chinese Material Culture

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A01=John Kieschnick
Academia Sinica
Ancient China
Ancient India
Anecdote
Asceticism
Author_John Kieschnick
Bhikkhu
Bodhi Tree
Bodhidharma
Bodhisattva
Buddhism
Buddhist art
Buddhist devotion
Buddhist texts
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Category=QRF
Central Asia
Chinese Buddhism
Chinese culture
Christian monasticism
Confucius
Consecration
Deity
Doctrine
Dunhuang
Early Buddhism
Edict
Ennin
Ephemerality
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eq_history
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Exegesis
Faxian
Guanyin
Huineng
Iconoclasm
Incense
Kuiji
Laity
Literature
Lotus Sutra
Luoyang
Material culture
Missionary
Monastery
Narrative
Philology
Piety
Qin Shi Huang
Recitation
Relic
Religion
Religious text
Renunciation
Rite
Ruyi (scepter)
Sanskrit
Scrutiny
Sinology
Song dynasty
Srama?a
Stele
Stupa
Sugarcane
Sutra
Taoism
The Buddhist (TV channel)
The Other Hand
Treatise
Vihara
Vinaya
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Writing
Xuanzang
Zhu Xi

Product details

  • ISBN 9780691096766
  • Weight: 510g
  • Dimensions: 152 x 235mm
  • Publication Date: 06 Apr 2003
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
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From the first century, when Buddhism entered China, the foreign religion shaped Chinese philosophy, beliefs, and ritual. At the same time, Buddhism had a profound effect on the material world of the Chinese. This wide-ranging study shows that Buddhism brought with it a vast array of objects big and small--relics treasured as parts of the body of the Buddha, prayer beads, and monastic clothing--as well as new ideas about what objects could do and how they should be treated. Kieschnick argues that even some everyday objects not ordinarily associated with Buddhism--bridges, tea, and the chair--on closer inspection turn out to have been intimately tied to Buddhist ideas and practices. Long after Buddhism ceased to be a major force in India, it continued to influence the development of material culture in China, as it does to the present day. At first glance, this seems surprising. Many Buddhist scriptures and thinkers rejected the material world or even denied its existence with great enthusiasm and sophistication. Others, however, from Buddhist philosophers to ordinary devotees, embraced objects as a means of expressing religious sentiments and doctrines. What was a sad sign of compromise and decline for some was seen as strength and versatility by others. Yielding rich insights through its innovative analysis of particular types of objects, this briskly written book is the first to systematically examine the ambivalent relationship, in the Chinese context, between Buddhism and material culture.
John Kieschnick is an associate research fellow at the Institute of History and Philology, Academia Sinica, in Taipei.

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