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Impersonations
20th century
A01=Harshita Mruthinti Kamath
Age Group_Uncategorized
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Author_Harshita Mruthinti Kamath
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brahmin to non brahmin
Category1=Non-Fiction
Category=HRGC
Category=JHMC
Category=QRDP
COP=United States
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female characters
gender performance
hindu religious narratives
impersonation
kuchipudi village
Language_English
localized village performance
male body
masculinity
men
PA=Available
practice of impersonation
Price_€20 to €50
PS=Active
smarta brahmin
softlaunch
south india
stage
stri vesham
telugu
transnational indian dance form
village to urban
Product details
- ISBN 9780520301665
- Weight: 318g
- Dimensions: 152 x 229mm
- Publication Date: 25 Jun 2019
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
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Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman’s guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries—village to urban, Brahmin to non-Brahmin, hegemonic to non-normative—to explore the artifice of Brahmin masculinity in contemporary South Indian dance.
Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman’s guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries—village to urban, Brahmin to non-Brahmin, hegemonic to non-normative—to explore the artifice of Brahmin masculinity in contemporary South Indian dance.
Harshita Mruthinti Kamath is Visweswara Rao and Sita Koppaka Assistant Professor in Telugu Culture, Literature and History at Emory University.
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