Impertinent Voices

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20th century
A(C)criture fA(C)minine
A01=Liz Yorke
Adrienne Rich
Age Group_Uncategorized
Age Group_Uncategorized
American poetry
Anglo-American Feminist Criticism
Audre Lorde
Author_Liz Yorke
automatic-update
Barren
Black Lesbian Woman
Category1=Non-Fiction
Category=DSBH
Category=DSBJ
Category=DSC
Cixous
Common Language
Contemporary Women's Poetry
COP=United Kingdom
Critique White Males
cultural forms
Deer Skull
Delivery_Pre-order
English poetry
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
female sexuality
female subjectivity
feminism and literature
feminist literary criticism
feminist poetic strategies analysis
Fiddlehead Fern
gendered subjectivity
H. D.
Held
Irigaray
Kristeva
Language_English
lesbian identity poetry
Lesbian Poets
Lesbian Sexuality
Marianne Moore
Nebula
PA=Not yet available
Personae
Price_€20 to €50
PS=Active
psychoanalytic theory
Purple Fire
Reborn
Rich's Poem
Rich’s Poem
Semi-rational Relation
softlaunch
Sylvia Plath
Timeless
Transcendental Etude
twentieth-century poets
Valid Trajectory
Western Patriarchal Cultures
Wo
women and literature
Women Poets

Product details

  • ISBN 9781032266299
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 09 Sep 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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How do women’s poetic voices disrupt cultural forms? What is the relationship between female desire and the structures of poetry? Is ‘writing the body’ essentialist?

Originally published in 1991, Impertinent Voices explores these questions in a sensitive and challenging study of female poetic strategies.

Looking closely at the intricate and disturbing poetry of some of the twentieth century’s greatest poets – Sylvia Plath, Adrienne Rich, H. D., Audre Lorde – Liz Yorke uses the theories of Irigaray, Cixous and Kristeva to illuminate her own clear and original analyses of the ways in which feminist understandings have been produced within poetic and cultural forms.

Although they struggle with a language which has traditionally excluded female sexuality and subjectivity, women poets refuse to be silenced. Their ‘impertinent’ voices break out of the constraining myths of the prevailing culture, precipitating new beginnings and new ways of looking at the world. Detailed close readings of the poems are here matched with a clear theoretical approach, making this both an exciting exploration of new terrain and an excellent introduction to the ways in which, for women writers, theoretical models and creative practice work hand in hand.

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