Impressionism: A Feminist Reading

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A01=Norma Broude
art and science intersection
Author_Norma Broude
Barbizon Painters
Capitalist Collectors
Category=AB
Edmond De Goncourt
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Eternal Laws
feminist art historian
feminist art history
gender roles in painting
gendered analysis of impressionist art
Gogh
Handbuch Der Physiologie
Henri Van De Velde
impressionism
landscape painting
landscape painting theory
Mathematical Expression
Monet's Art
naturalism
nineteenth-century art
nineteenth-century visual culture
Optical Mixture
optical perception studies
Picasso's Demoiselles
Positivist Fold
Responsive Part
Schelling's Naturphilosophie
Vincent Van Gogh
Wordswor Thian
Young Man

Product details

  • ISBN 9780367002817
  • Weight: 453g
  • Dimensions: 203 x 282mm
  • Publication Date: 30 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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 An original interpretation of Impressionism and nineteenth-century art and culture by a noted feminist art historian. This book is a pioneering reading of Impressionism from a feminist perspective by a noted art historian. Norma Broude analyzes the philosophical underpinnings of landscape painting in the late nineteenth century discussing the crit
Norma Broude is a professor of art history at the American University in Washington, D.C., and is a leading scholar in the field of feminist art history. Broude is the author of The Macchiaioli: Italian Painters of the Nineteenth Century (1987), Impressionism, A Feminist Reading: The Gendering of Art, Science, and Nature in the Nineteenth Century (1991), and Georges Seurat (1992).

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