'Improper' Feminine

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Lyn Pykett
Artist's Model
Artist’s Model
Author_Lyn Pykett
Barbara Hare
Beth Book
Braddon
Category=DSBF
Category=DSBH
Category=DSK
Category=GTM
Category=JBSF1
Category=JBSF11
cultural history of femininity
Egerton's Stories
Egerton’s Stories
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist literary criticism
fiction
Gendered Critical Discourse
gendered narrative strategies in fiction
Ginette Vincendeau
heavenly
Heavenly Twins
heroine's
Improper Feminine
John Marchmont's Legacy
Lady Audley
Lady Audley's Secret
Mona Caird
new
nineteenth-century sexuality
Penny Boumelha
Proper Feminine
Revolting Daughter
sarah
sensation
Sensation Fiction
Sensation Heroine
SENSATIONAL SIXTIES
sense
social control in literature
twins
Victorian gender studies
Violate
woman
Woman Fiction
Woman Writer
women's
Women's Sensation
Women's Sensation Novel
womenaEUR(TM)s authorship analysis
Young Man

Product details

  • ISBN 9780415049283
  • Weight: 620g
  • Dimensions: 138 x 216mm
  • Publication Date: 03 Sep 1992
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

The women's sensation novel of the 1860s and the New Woman fiction of the 1890s were two major examples of a perceived feminine invasion of fiction which caused a critical furore in their day.
Both genres, with their shocking, `fast' heroines, fired the popular imagination by putting female sexuality on the literary agenda and undermining the `proper feminine' ideal to which nineteenth-century women and fictional heroines were supposed to aspire.
By exploring in impressive depth and breadth the material and discursive conditions in which these novels were produced, The `Improper' Feminine draws attention to key gendered interrelationships within the literary and wider cultures of the mid-Victorian and fin-de-diècle periods.

More from this author