Improvisation and Music Education

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activist music education practices
Ajay Heble
Baroque
Bruno Nettl
Cantus Firmus
Category=AV
Category=AVLP
Category=AVS
Category=JN
Category=JNU
Category=YPAD
Chopin
Chord Scale Theory
Classroom
Collaborative Pedagogical Models
Community
community music engagement
Continuo
creative music making
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eq_bestseller
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eq_music
eq_nobargain
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eq_society-politics
Ethnomusicology
Follow
Free Improvisation
Hold
Improv
Improvisation
Improvisational Performativity
Improvised Music Making
Jamming
Jane Bunnett
Jazz
jazz education
Jazz Educators
Jazz Studies
Miya Masaoka
multicultural ear training
Music
Music Education
music pedagogy
Music Students
Music Theory
Musical Improvisation
Pedagogy
Performance Anxiety
performance anxiety musicians
Postsecondary Education
Research
Violate
Wilfrid Laurier University
Young Man

Product details

  • ISBN 9781138830165
  • Weight: 544g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Mar 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book offers compelling new perspectives on the revolutionary potential of improvisation pedagogy. Bringing together contributions from leading musicians, scholars, and teachers from around the world, the volume articulates how improvisation can breathe new life into old curricula; how it can help teachers and students to communicate more effectively; how it can break down damaging ideological boundaries between classrooms and communities; and how it can help students become more thoughtful, engaged, and activist global citizens. In the last two decades, a growing number of music educators, music education researchers, musicologists, cultural theorists, creative practitioners, and ethnomusicologists have suggested that a greater emphasis on improvisation in music performance, history, and theory classes offers enormous potential for pedagogical enrichment. This book will help educators realize that potential by exploring improvisation along a variety of trajectories. Essays offer readers both theoretical explorations of improvisation and music education from a wide array of vantage points, and practical explanations of how the theory can be implemented in real situations in communities and classrooms. It will therefore be of interest to teachers and students in numerous modes of pedagogy and fields of study, as well as students and faculty in the academic fields of music education, jazz studies, ethnomusicology, musicology, cultural studies, and popular culture studies.

Ajay Heble is Director of the International Institute for Critical Studies in Improvisation and Professor of English at the University of Guelph, Canada. Mark Laver is Assistant Professor of Music at Grinnell College, US.