Improvised Dance

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A01=Nalina Wait
affect
affective neuroscience
Anatomical Truth
Authentic Movement
Authentic Movement Practice
Author_Nalina Wait
body-mind
Category=AFKP
Category=ATD
Category=ATQ
Contemporary Dance
corporeal knowledges
creative process research
Dance Pedagogy
Dancer Agency
Deborah Hay
Dewey
EEG Machine
embodied cognition
Embodied consciousness
embodied pedagogy
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Forsythe Company
ideokinesis
immanent evaluation
improvisation
Improvised Dance
Improvised Dance Performances
kinaesthesia
movement analysis
Personal Artistic Practice
phenomenology of movement
physiophilosophical
Private Dance Studios
prohibitive and emancipative self surveillance
sensorimotor learning
Somatic Dancer
somatic improvisation expertise
somatic intelligence
Somatic Movement Education
somatic practices
Somatic Practitioners
Spinoza
Spiritual Automata
Subcortical Level
the body's mind
the body’s mind
thinking through-the-body
Traditional Dance Pedagogy
Western Contemporary Dance
Western Theatre Dance

Product details

  • ISBN 9781032438276
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Apr 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book elucidates the technical aspects of improvised dance performance and reframes the notion of labour in the practice from one that is either based on compositionally formal logic or a mysterious impulse, to one that addresses the (in)corporeal dimensions of practice.

Mobilising the languages and conceptual frameworks of theories of affect, embodied cognition, somatics, and dance, this book illustrates the work of specialist improvisers who occupy divergent positions within the complex field of improvised dance. It offers an alternative narrative of the history and current practice of Western improvised dance centred on the epistemology of its (in)corporeal knowledges, which are elusive yet vital to the refinement of expertise.

Written for both a disciplinary-specific and interdisciplinary audience, this book will interest dance scholars, students, and practising artists.

Nalina Wait is a dance artist and pracademic currently lecturing at the Australian College of Physical Education. She is of Irish settler descent and lives on Gadigal Country in Eora, Sydney. Her interests are the practice and performance of dance improvisation, somatics, and the cultivation of somatic intelligence.

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