In-Between Worlds

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A01=Sukanya Chakrabarti
Adi Brahmo Samaj
Appropriation
Authenticity
Author_Sukanya Chakrabarti
Bangla Academy
Baul Songs
Bauls
Bhagavata Purana
Brahmo Samaj
Category=JHMC
Cosmopolitanism
cultural identity construction
Debendranath Tagore
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnomusicology
Fakirs
folk performance research
Ghare Baire
heritage industry analysis
In-Between Worlds
Keshab Chandra Sen
Magdalena Project
Mr Tambourine Man
Nostalgia Festival
Odin Teatret
performance studies
Photo Credit
postcolonial theory
Rabindranath Tagore
Radical humanity
Rashtriya Swayamsevak Sangh
Roberta Carreri
RSS
Rustom Bharucha
Sadharan Brahmo Samaj
Saffron Robe
Sai Ji
subaltern histories
Tagore's Works
Tagore’s Works
West Bengal
Young Men

Product details

  • ISBN 9780367757267
  • Weight: 460g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines the performance of Bauls, ‘folk’ performers from Bengal, in the context of a rapidly globalizing Indian economy and against the backdrop of extreme nationalistic discourses.

Recognizing their scope beyond the musical and cultural realm, Sukanya Chakrabarti engages in discussing the subversive and transformational potency of Bauls and their performances. In-Between Worlds argues that the Bauls through their musical, spiritual, and cultural performances offer ‘joy’ and ‘spirituality,’ thus making space for what Dr. Ambedkar in his famous 1942 speech had identified as ‘reclamation of human personality’. Chakrabarti destabilizes the category of ‘folk’ as a fixed classification or an origin point, and fractures homogeneous historical representations of the Baul as a ‘folk’ performer and a wandering mendicant exposing the complex heterogeneity that characterizes this group. Establishing ‘folk-ness’ as a performance category, and ‘folk festivals’ as sites of performing ‘folk-ness,’ contributing to a heritage industry that thrives on imagined and recreated nostalgia, Chakrabarti examines different sites that produce varied performative identities of Bauls, probing the limits of such categories while simultaneously advocating for polyvocality and multifocality.

While this project has grounded itself firmly in performance studies, it has borrowed extensively from fields of postcolonial studies and subaltern histories, literature, ethnography and ethnomusicology, and cosmopolitan studies.

Sukanya Chakrabarti is an artist-scholar and Associate Professor, Theatre Arts, at San Jose State University.

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