In Defence of Fantasy

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20th century
A01=Ann Swinfen
academic study of modern fantasy
allegory
animal fantasy
Animal Kingdom
Animal Tale
Author_Ann Swinfen
C.S. Lewis
Category=DSA
Category=DSBH
Category=DSY
Category=FL
Contemporary Society
Dawn Treader
De La Mare
dual world fantasy
Earthsea Trilogy
eq_bestseller
eq_biography-true-stories
eq_fiction
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science-fiction
Green Knowe
John Christopher
Le Guin's Earthsea
Le Guin’s Earthsea
Leon Garfield
literary criticism
literary genre
Modern Fantasy
moral philosophy in literature
Mr Hater
mythopoeic tradition
narrative worldbuilding
Normal Space Time
Norton Juster
Penelope Farmer
Perilous Realm
physical powers
post-war period
postwar British literature
Primary World
Richard Adams
River Boy
River World
Round Window
Russell Hoban
Silver Chair
speculative fiction analysis
symbolism
Time Fantasy
Tolkein
Tolkien's Middle Earth
Tolkien’s Middle Earth
Tom's Midnight Garden
Tom’s Midnight Garden
Ursula Le Guin
visionary fantasy
Walter De La Mare
Young Man

Product details

  • ISBN 9780367336806
  • Weight: 650g
  • Dimensions: 138 x 216mm
  • Publication Date: 18 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The modern fantasy novel might hardly seem to need a defence, but its position in contemporary literature in the 1980s was still rather ambivalent. Many post-war writers had produced highly successful fantasy novels, some phenomenal publishing successes had occurred in the field, and an increasing number of universities throughout the English-speaking world now included the literary criticism of fantasy as part of their English Literature courses. None the less some critics and academics condemned the whole genre with a passion that seemed less than objectively critical.

In this book, originally published in 1984, Dr Ann Swinfen presents a wide-ranging and comprehensive view of fantasy: what it is, what it tries to achieve, what fundamental differences distinguish it from mainstream realist fiction. She concentrates on the three decades from 1945, when a new generation of writers found that Tolkein had made fantasy ‘respectable’. Her approach is thematic, rather than by individual author, and she brings out the profound moral purpose that underlies much modern fantasy, in a wide range of works, both British and American, such as Russell Hoban’s The Mouse and His Child, C.S. Lewis’s Chronicles of Narnia and Ursula Le Guin’s Earthsea Trilogy.

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