In Search of Stanislavsky’s Creative State on the Stage

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Alchemical Art
Author_Gabriela Curpan
Benedetti's Translation
Benedetti’s Translation
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Correct Moral Behaviour
Creative State
Double Consciousness
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Hatha Yoga
Hindu interest
humanism in acting
Ineffable artistic creativity
Konstantin Stanislavsky
Michael Chekhov
Mikhail Kedrov
Moscow Art Theatre
Orthodox Christian influences
Orthodox Faith
performance spirituality
Persona
Raja Yoga
Ramacharaka
spiritual approaches to acting research
Stanislavsky
Stanislavsky's Concept
Stanislavsky's Idea
Stanislavsky's Legacy
Stanislavsky's Sense
Stanislavsky's Words
Stanislavsky's Work
Stanislavsky’s Concept
Stanislavsky’s Idea
Stanislavsky’s Legacy
Stanislavsky’s Sense
Stanislavsky’s Words
Stanislavsky’s Work
Violated
Yogi Ramacharaka
yogic practice in theatre
Zen Buddhists

Product details

  • ISBN 9780367630645
  • Weight: 680g
  • Dimensions: 156 x 234mm
  • Publication Date: 13 Apr 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state.

Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski’s work.

This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.

Gabriela Curpan was awarded her PhD from Goldsmith, University of London. She is a Romanian practitioner with over twenty years of acting experience, a Senior Lecturer at the University of Wolverhampton, and a visiting lecturer, teaching acting techniques in Staffordshire University.

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