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In Search of the Folk Daoists of North China
4th Moon
7th
A01=Stephen Jones
Author_Stephen Jones
band
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Central Hebei
Chinese religious rituals
Daoist Music
Daoist Priests
Daoist Ritual
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eq_music
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fair
folk religion studies
Gongche Scores
Hebei Plain
hereditary priesthood
Jiao Ritual
Lay Daoists
Li Qing
liturgical traditions
liturgy
Melodic Instrumental Music
Min Zhiting
music
north China Daoist ritual fieldwork
North Shanxi
Precious Scrolls
ritual
Ritual Associations
ritual music ethnography
Ritual Percussion
rural religious practices
shawm
Shawm Band
shengguan
Shengguan Ensemble
Shengguan Music
Soul Hall
South Hebei
South Shanxi
temple
Temple Fairs
vocal
Vocal Liturgy
Young Men
Product details
- ISBN 9781409406150
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 28 Nov 2010
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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The living practice of Daoist ritual is still only a small part of Daoist studies. Most of this work focuses on the southeast, with the vast area of north China often assumed to be a tabula rasa for local lay liturgical traditions. This book, based on fieldwork, challenges this assumption. With case studies on parts of Hebei, Shanxi, Shaanxi, and Gansu provinces, Stephen Jones describes ritual sequences within funerals and temple fairs, offering details on occupational hereditary lay Daoists, temple-dwelling priests, and even amateur ritual groups. Stressing performance, Jones observes the changing ritual scene in this poor countryside, both since the 1980s and through all the tribulations of twentieth-century warfare and political campaigns. The whole vocabulary of north Chinese Daoists differs significantly from that of the southeast, which has so far dominated our image. Largely unstudied by scholars of religion, folk Daoist ritual in north China has been a constant theme of music scholars within China. Stephen Jones places lay Daoists within the wider context of folk religious practices - including those of lay Buddhists, sectarians, and spirit mediums. This book opens up a new field for scholars of religion, ritual, music, and modern Chinese society.
Stephen Jones read classical Chinese at Cambridge, and has been documenting living traditions of folk music in rural China since 1986. Since 1993 he has held research fellowships at SOAS, London University. He is author of the influential Folk music of China: living instrumental traditions, Plucking the winds, and his two volumes Ritual and music of north China (Ashgate, 2007, 2009), on north Shanxi and Shaanbei respectively, both include DVD documentaries. He is also a violinist in leading early music ensembles in London.
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