In the Arms of Saguaros

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A01=Isabel García Real
A01=William L. Bird
Age Group_Uncategorized
Age Group_Uncategorized
Arizona
Author_Isabel García Real
Author_William L. Bird
automatic-update
cacti
cactus
carnegiea gigantea
Category1=Non-Fiction
Category=AJR
Category=AJTF
Category=HBJ
Category=NHB
Category=WNP
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
mementos
PA=Available
Phoenix
postcards
Price_€20 to €50
PS=Active
softlaunch
Sonora
Sonoran Desert
southwest
southwestern history
succulents
sunbelt
tourism
Tucson

Product details

  • ISBN 9780816552832
  • Weight: 272g
  • Dimensions: 216 x 279mm
  • Publication Date: 24 Oct 2023
  • Publisher: University of Arizona Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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An essential--and monumental--member of the Sonoran Desert ecosystem, the saguaro cactus has become the quintessential icon of the American West.

In the Arms of the Saguaros shows how, from the botanical explorers of the nineteenth century to the tourism boosters in our own time, saguaros and their images have fulfilled attention-getting needs and expectations. Through text and lavish images, this work explores the saguaro’s growth into a western icon from the early days of the American railroad to the years bracketing World War II, when Sun Belt boosterism hit its zenith and proponents of tourism succeed in moving the saguaro to the center of the promotional frame.

This book explores how the growth of tourism brought the saguaro to ever-larger audiences through the proliferation of western-themed imagery on the American roadside. The history of the saguaro’s popular and highly imaginative range points to the current moment in which the saguaro touches us as a global icon in art, fashion, and entertainment.
William L. Bird Jr. is a curator emeritus of the National Museum of American History, Smithsonian Institution. His interests lie at the intersection of politics, popular culture, and the history of visual display.

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