Carolyn Forché is one of Americas most important contemporary poets renowned as a poet of witness as well as an indefatigable human rights activist. Over four decades, she has crafted visionary work that has reinvigorated poetry's power to awaken the reader. Her groundbreaking poems have been testimonies, enquiries and wonderments. They daringly map a territory where poetry asserts our inexhaustible responsibility to each other. In the Lateness of the World is a dark book of crossings, of migrations across oceans and borders but also between the present and the past, life and death. The poems call to the reader from the end of the world where they are sifting through the aftermath of history. Forché imagines a place where 'you could see everything at once every moment you have lived or place you have been'. The world here seems to be steadily vanishing, but in the moments before the uncertain end, an illumination arrives and 'there is nothing that cannot be seen'. In the Lateness of the World is a revelation from one of the finest poets writing today. Her meditative poetry has a majestic sweep, with themes ranging from life on earth and human existence to history, war, genocide and the Holocaust. In the Lateness of the World is her first new collection in seventeen years, and follows three other collections published by Bloodaxe in Britain, The Country Between Us (1981/2018), The Angel of History (1994) and Blue Hour (2003). Jane Miller called Blue Hour a masterwork for the 21st century. According to Joyce Carol Oates (New York Times Book Review), Forchés ability to wed the political with the personal places her in the company of such poets as Pablo Neruda, Philip Levine and Denise Levertov.
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Product Details
Dimensions: 156 x 234mm
Publication Date: 10 Mar 2020
Publisher: Bloodaxe Books Ltd
Publication City/Country: United Kingdom
Language: English
ISBN13: 9781852249649
About Carolyn Forche
Carolyn Forché was born in Detroit Michigan in 1950 and has taught at several universities. She was Director of Lannan Center for Poetics and Social Practice and held the Lannan Visiting Chair in Poetry at Georgetown University Washington DC where she is now a University Professor. Her many honours include fellowships from the Guggenheim Foundation the Lannan Foundation and the National Endowment for the Arts; the Edita and Ira Morris Hiroshima Foundation Award given in 1997 for using her poetry as a means to attain understanding reconciliation and peace within communities and between communities; and most recently Yale University's Windham-Campbell Prize. Her first collection Gathering the Tribes (1976) was selected for the Yale Series of Younger Poets by Stanley Kunitz. Her second book The Country Between Us (1981; UK reissue from Bloodaxe 2019) drew on her experiences in El Salvador before and during the civil war and won the Poetry Society of America's Alice Fay di Castagnola Award and was the Lamont Poetry Selection of the Academy of American Poets. Her later collections have drawn upon work written over many years: The Angel of History (HarperCollins USA; Bloodaxe Books 1994) Blue Hour (HarperCollins USA; Bloodaxe Books 2003) and In the Lateness of the World (Bloodaxe Books UK; Penguin Press USA 2020). Her landmark anthology Against Forgetting: Twentieth-Century Poetry of Witness (Norton 1993) was followed by Poetry of Witness: The Tradition in English: 1500-2001 (Norton 2014) edited with Duncan Wu. She is Visiting Professor at Newcastle University and edited the anthology The Mighty Stream: Poems in celebration of Martin Luther King (Bloodaxe Books / Newcastle University 2017) with Jackie Kay. Her memoir What You Have Heard Is True: a memoir of witness and resistance (2019) was published by Penguin at the same time as Bloodaxe's UK reissue of her 1981 collection The Country Between Us which covers the same period as the memoir. Her translations include Mahmoud Darwish's Unfortunately It Was Paradise: Selected Poems (with Munir Akash 2003) Claribel Alegría's Flowers from the Volcano (1983) and Robert Desnos's Selected Poetry (with William Kulik 1991).
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