Inclusive Dance

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A01=Katy Dymoke
accomodation of difference
accomodation of diversity
Age Group_Uncategorized
Age Group_Uncategorized
Author_Katy Dymoke
automatic-update
body-mind
Category1=Non-Fiction
Category=ASDT
Category=ATQT
Category=GTK
Category=GTR
Category=JBFA
Category=JFFJ
Category=VXA
contact improvisation
COP=United Kingdom
Delivery_Delivery within 10-20 working days
disability arts
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_mind-body-spirit
eq_nobargain
eq_non-fiction
eq_society-politics
inclusion and liberation
integrated performance work
Language_English
modality specific methods
movement and touch
mutable membrane
non-visual methods
PA=Available
practice-led research
pre-conscious
Price_€20 to €50
pro-touch discourse
PS=Active
self-membrane
softlaunch
touch deprivation
touchdown dance

Product details

  • ISBN 9781789388367
  • Weight: 612g
  • Dimensions: 170 x 244mm
  • Publication Date: 14 Aug 2023
  • Publisher: Intellect
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Inclusive Dance is an ethnography of disability arts, and historiographic overview of the 1980s when many new disability arts groups came to fruition. Touchdown Dance was the research 'ambition' of dancer Steve Paxton and theatre maker and psychotherapist Anne Kilcoyne, involving visually impaired and sighted adults in Contact Improvisation - a dyadic movement form requiring physical contact. Katy Dymoke took over Touchdown Dance in 1994 and refers here to archives, accounts and personal experience to share the learning that has been shared over the years to today.

Touch and movement are vital for accessibility and inclusion and modality specific approaches were devised to ensure a democratic process towards the inclusion of visually impaired people in a pro-touch activity. The continuum of movement based methods fills the gaps in polarities of visual and nonvisual and a two-way membrane interlinks all the participants in a body focused learning experience. The mutable membrane becomes a heuristic device for the relational realm, a locus for debate, for change. Touch deprivation, exclusion and inequality are the consequence of an inaccessible visually dominant society.

Three point of view chapters - from two visually impaired and one sighted company dancer - further describe the performance work, revealing how lives are changed and why sociocultural inclusion is imperative.

 

Katy Dymoke is a dancer, dance teacher, dance-movement psychotherapist, dance film maker, working with all ages and abilities, infants to elderly. Katy makes dance films, writes books and walks in nature.

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