Incorporation, Authorship, and Anglo-American Literature (1815–1918)

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A01=Jasper Schelstraete
Anglo-American Copyright
Anglo-American transatlantic cultural field
Anglo-Bengalee Disinterested Loan
author-publisher relations
Author_Jasper Schelstraete
Authorial Construct
Bracebridge Hall
Bubble Act
Category=DSBF
Category=JHM
Category=KCL
Common Language
copyright history
corporate authorship
cultural identity formation
cultural self-identification
economic self-interest
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
global market influence on literature
Hardy's Short
Hardy’s Short
Harper Brothers
International Copyright
International Copyright Act
International Copyright Legislation
King George III
limited liability incorporation
London Journal
Macmillan Wessex Edition
market-driven self-censorship
Martin Chuzzlewit
Nineteenth Century Authors
nineteenth-century publishing
Periodical Context
Possessive Authorship
Sketch Book
Sunny Memories
Transatlantic Marketplace
transnational literary studies
Uncle Tom's Cabin
Uncle Tom’s Cabin
Wessex Editions
York Ledger

Product details

  • ISBN 9780367332525
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 02 Jul 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Incorporation, Authorship, and Anglo-American Literature (1815–1918) is concerned with the new ways in which nineteenth-century authors came to imagine nationhood in response to the emergent global market. It investigates how authors negotiated a largely unregulated global economic space, both imaginatively—in their representations of it—and pragmatically, through author-publisher agreements to circumvent the lack of transnational copyright or through market-driven self-censorship for different audiences. Until now, scholarship has struggled to find a single dynamic from which to consider the Anglo-American transatlantic cultural field, and transnational fields more generally. This volume offers that single dynamic through an innovative and interdisciplinary approach that brings together the research areas of literary and transnational studies with economic history. It shows how the positional national identities constructed by nineteenth-century texts were informed by economic self-interest in the emergent global marketplace. Through a series of case studies the book analyses how contemporary economic innovations determined nineteenth-century concepts of national and cultural self-identification. Presented within four main body chapters, each considers two case studies of nineteenth-century authors that are in productive contrast, including pairings between Herman Melville and Washington Irving, E.D.E.N. Southworth and Anthony Trollope, Charles Dickens and Harriet Beecher Stowe, and finally Thomas Hardy and Joseph Conrad.

Jasper Schelstraete is an FWO postdoctoral researcher at Ghent University. He defended his doctoral dissertation, "The Atlantic Between Them: Dickens, Melville, and Nationality in the Transatlantic Market" at Ghent University in August 2014. He has held a Belgian American Educational Foundation Postdoctoral Fellowship at Harvard University, and was awarded a Government of Ireland Postdoctoral Fellowship. His work has been published in English: Journal of the English Association, Journal of Victorian Culture, Victorian Periodicals Review, and Dickens Quarterly.

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