Independent Chinese Documentary

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A01=Dan Edwards
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Asian Cinema
Author_Dan Edwards
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Category1=Non-Fiction
Category=APFR
Category=ATFR
Chinese Cinema
COP=United Kingdom
Delivery_Delivery within 10-20 working days
Documentary Film
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eq_bestseller
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eq_nobargain
eq_non-fiction
Film
Language_English
Media & Cultural Studies
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Price_€50 to €100
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softlaunch

Product details

  • ISBN 9780748695621
  • Weight: 459g
  • Dimensions: 156 x 234mm
  • Publication Date: 15 May 2015
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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There has been an explosion in Chinese independent documentary making since the turn of the twenty-first century. How are we to understand this vibrant burst of activity? Are these films brave expressions of dissidence? Or a more complex attempt to expand the terms of public discourse in the People’s Republic? This timely study is based on detailed interviews with Chinese documentary makers rarely available in English, and insights gained by the author while working as a journalist in Beijing. It considers the relationship between independent documentaries and China’s official film and television sectors, exploring the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in the state-sanctioned public sphere. Detailed analyses of key contemporary documentaries reveal a sustained attempt to forge an alternative public sphere where the views and experiences of petitioners, AIDS sufferers, dispossessed farmers and the victims of Mao’s repression can be publicly aired for a small, but steadily growing, public.
Dan Edwards has published over 70 articles on film and media in Australian newspapers and magazines. He worked as a magazine writer in Beijing, China from 2007-11, before completing a PhD in film and television at Monash University in 2014. Prior to living in China he worked for the Communications Branch of the Australian Film Commission and was the editor of the OnScreen section of RealTime arts magazine. He now lives in Melbourne, Australia, where he teaches film at the University of Melbourne and Monash University.

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