Independent Women

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Category=JBCT
Cinematic Television
creative control media
Cultural sensibilities
digital transformation television
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eq_nobargain
eq_non-fiction
eq_society-politics
Female Filmmakers
Feminist
feminist media studies
feminist television production research
Final Thesis Project
gender representation screen
Independent Women
Las Violetas
LGBTQ Representation
Lisa Cholodenko
Mildred Pierce
Open Tv
Popular Press Sources
Post-network Era
post-network television
Private Tv Station
Quality Television
Quality Tv
Spanish Cinema
Spanish Tv
Special Issue's Guest Editors
Special Issue’s Guest Editors
Television history
Tv Animation
Tv Fiction
Tv Series
Tv Show
Tv Station
women showrunners analysis
Women's Independent Filmmaking
Women's Indie
Women’s Independent Filmmaking
Women’s Indie

Product details

  • ISBN 9781032008981
  • Weight: 381g
  • Dimensions: 174 x 246mm
  • Publication Date: 08 Jun 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Independent Women: From Film to Television explores the significance for feminism of the increasing representation of women on and behind the screen in television contexts around the world.

"Independent" has functioned throughout film and television history as an important euphemism for "feminist". This volume investigates how this connection plays out in a contemporary environment that popular feminist discourse is constructing as a golden age of television for women. The original essays in the volume offer insights into how post-network television is being valued as a new site of independent production for women. They also examine how these connotations of creative control influence perceptions of both female creators and their content as feminist. Together, they provide a compelling perspective on the feminist consequences of how independence and "indie" have intensified as cultural sensibilities that coincide and engage with the digital transformation of television during the first decades of the 21st century.

The chapters in this book were originally published in a special issue of Feminist Media Studies.

Claire Perkins is Senior Lecturer in Film and Screen Studies at Monash University, Melbourne, Australia. She is the author of American Smart Cinema (2012) and co-editor of six collections including (with Michele Schreiber and Linda Badley) Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema (2016), Transnational Television Remakes (2016), and US Independent Film After 1989: Possible Films (2015).

Michele Schreiber is Associate Professor of Film and Media at Emory University, USA. She is the author of American Postfeminist Cinema: Women, Romance and Contemporary Culture (2014) and co-editor (along with Claire Perkins and Linda Badley) of Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema (2016).