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Ajji
Aligarh
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Article 15
Asian Film Festival
Author_Ashvin Immanuel Devasundaram
Battling for Multiplex Screen Space
BJP Government
Bollywood
Bollywood Films
Bollywood's Meta-hegemony
Bollywood’s Meta-hegemony
Caste System
Category=ATF
Category=ATFA
Category=GTM
Category=JBCT
Category=KNT
Category=NH
CBFC
censorship analysis
Commercial Hindi Cinema
Contemporary Indian Cinema
Court
Crowdfunding
cultural politics
Cultural Soft Power
Dhobi Ghat
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
F-Rated Films
Family Films
Film Festival
Film Festivals
film studies
gender representation
Glocalisation
Hamid
independent cinema
independent film
independent film industry research
Independent Indian Cinema
India
India's Soft Power
Indian Cinema
Indian Indie
India’s Soft Power
indie cinema
indie film
Indie Films
Indie reliance on Bollywood and NFDC
International Co-Productions
International Film Festival Rotterdam
LGBTQI Liberation
linguistic diversity
Lipstick Under My Burkha
Love
Meta-Hegemony
Mukti Bhawan/Hotel Salvation
Mukti BhawanHotel Salvation
Netflix
NFDC
No Fathers in Kashmir
Noblemen
Parallel Cinema
Parallel Cinema Movement
Peepli Live
political cinema India
Political Polemic
Post-Cinema
RC
Sairat
Shabana Azmi
Ship of Theseus
social justice cinema
Soft Power
Soni
Streaming Platforms
Tamil Nadu
The Lunchbox
Web Streaming
Young Man

Product details

  • ISBN 9780367543754
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book offers a concise and cutting-edge repository of essential information on new independent Indian films, which have orchestrated a recent renaissance in the Bollywood-dominated Indian cinema sphere.

Spotlighting a specific timeline, from the Indies’ consolidated emergence in 2010 across a decade of their development, the book takes note of recent transformations in the Indian political, economic, cultural and social matrix and the concurrent release of unflinchingly interrogative and radically evocative films that traverse LGBTQ+ issues, female empowerment, caste discrimination, populist politics and religious violence.

A combination of essential Indie-specific information and concise case studies makes this a must-have quick guide to the future torchbearers of Indian cinema for scholars, students, early career researchers and a global audience interested in intersecting aspects of cinema, culture, politics and society in contemporary India.

Ashvin Immanuel Devasundaram is Senior Lecturer in World Cinema at Queen Mary University of London. He is author of India's New Independent Cinema: Rise of the Hybrid (2016) and editor of Indian Cinema Beyond Bollywood: The New Independent Cinema Revolution (2018). Ashvin is Associate Director of the UK Asian Film Festival – London and has directed the UK Heritage Lottery-funded documentary Movies, Memories, Magic (2018).

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