India's New Independent Cinema

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A01=Ashvin Immanuel Devasundaram
Anurag Kashyap
Author_Ashvin Immanuel Devasundaram
Bhuvan Shome
Bollywood
Bollywood Films
Bollywood's Meta-hegemony
Bollywood’s Meta-hegemony
Category=ATF
Category=JBCC
Category=JBCT
Category=KNT
censorship in media
Commercial Hindi Cinema
Corporate Production Houses
Dhobi Ghat
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film industry
film studies
glocal cinema analysis
Hindi Cinema
hybrid Indian film industry research
independent film
Independent Indian Cinema
Indian Cinema
indian film
Indian independent films
Indian Indies
Indie Filmmakers
Indie Films
Inida
Jan Morcha
Modern Indian Cinema
Papilio Buddha
Parallel Cinema
Peepli Live
postcolonial cultural studies
Prasar Bharati
Shyam Benegal
socio-political narratives
South Asian Studies
Tamil Nadu
Torrent Downloads
Tv News
Tv News Channel
world cinema
Younger Man

Product details

  • ISBN 9781138184626
  • Weight: 730g
  • Dimensions: 152 x 229mm
  • Publication Date: 05 Jul 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.

Ashvin Immanuel Devasundaram has a PhD from Heriot-Watt University, Edinburgh. He is currently Programming Adviser for the London Asian Film Festival (LAFF) and Creative Director of the festival's expansion to other cities in the UK.

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