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Indigenous Religious Musics
A01=Graham Harvey
A01=Karen Ralls-MacLeod
AB AB AB
Anne Dhu Mclucas
Author_Graham Harvey
Author_Karen Ralls-MacLeod
Bickerton Island
Category=AV
Category=AVL
Category=QRR
Chang Sahun
Christopher G. Trott
Curing Dances
David H. Turner
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eq_music
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ethnomusicology
gender in sacred music
Groote Eylandt
Guilherme Werlang
Incorporative Logic
indigenous cultural identity
Indigenous Religious Musics
Inuit Music
Inuit Social Organization
Inuit Songs
Jan G. Platvoet
June Boyce-Tillman
Karen Ralls-Macleod
Keith Howard
Malcolm Floyd
Maori Oral Traditions
music in indigenous religious rituals
Musical Cells
Peter Mataira
Peter R. Cooke
ritual performance studies
Shaman Rituals
shamanic traditions
Song Duels
spiritual healing practices
Spouse Exchange
Ssikkim Kut
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V2 V3 V4 V5 V6
V4 V5
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Verbal Verses
Vice Versa
Younger Men
Product details
- ISBN 9781138263383
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 24 Nov 2017
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Celebrating the diversity of indigenous nations, cultures and religions, the essays which comprise this volume discuss the musics performed by a wide variety of peoples as an integral part of their cultural traditions. These include examinations of the various styles of Maori, Inuit and Australian Aboriginal musics, and the role of music in Korean Shaman rituals. Indeed, music forms a key component of many such rituals and belief systems and examples of these are explored amongst the peoples of Uganda, Amazonia and Africa. Through analysis of these rituals and the part music plays in them, the essays also open up further themes including social groupings and gender divisions, and engage with issues and debates on how we define and approach the study of indigeneity, religiosity and music. With downloadable resources featuring some of the music discussed in the book and further information on other available recordings, this is a book which gives readers the opportunity to gain a richer experience of the lived realities of indigenous religious musics.
Karen Ralls-MacLeod and Graham Harvey
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