Influential Ghosts

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A01=Rachel Wetzsteon
airman
ambivalence in poetic tradition
Auden's Poem
Auden's Revision
Auden's Speaker
audens
Auden’s Poem
Auden’s Revision
Auden’s Speaker
Author_Rachel Wetzsteon
Category=D
Category=DSBH
Category=DSC
Dark Cold Day
Dover Beach
earlier
Earlier Elegies
Elegiac Tradition
elegy criticism
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Hardy's Influence
Hardy's Poems
Hardy's Poetry
Hardy's Work
hardys
Hardy’s Influence
Hardy’s Poems
Hardy’s Poetry
Hardy’s Work
Hawk's Vision
hawks
helmeted
Helmeted Airman
Horae Canonicae
Influential Ghosts
intertextuality research
literary influence studies
Locksley Hall
modernist poetry analysis
philosophical poetics
poems
poetic allusion theory
poetry
Sal Vation
Sapphic Stanzas
sea
Sidney's Poem
Sidney's Shepherds
Sidney’s Poem
Sidney’s Shepherds
Spender's Poem
Spender’s Poem
Structural Allusion
Tennyson's Speaker
Tennyson’s Speaker
vision
Yeats's Death
Yeats’s Death
Young Man

Product details

  • ISBN 9780415975469
  • Weight: 430g
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Nov 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Influential Ghosts: A Study of Auden's Sources explores some of the most important literary and philosophical influences on W.H. Auden's poetry. The study attempts to show that Auden's poetry derives much of its interest from the vast range of authors on whom he drew for inspiration. But it also suggest that his relationship to these writers was marked by a fascinating ambivalence.
In chapters on Auden's relationship to Hardy and Kierkegaard, the study shows how, after lovingly apprenticing himself to their work and often borrowing stylistic or thematic features from it - Hardy's sweeping "hawk's vision," Kierkegaard's urgent "leap of faith" - he began to criticize the very things he had previously striven to emulate. In a chapter on Auden's elegies, the author argues that, alone among examples of this poetic genre, they both reverently mourn and harshly scrutinize their subjects (Yeats, Freud, Henry James and others).
In a chapter on "structural allusion" in Auden's early poetry, the study posits that Auden singlehandedly invented a new kind of allusion in which he alludes to the form and subject matter of entire poems. But while doing so, he also finds fault with the attitudes (passivity, despair) depicted in them. In these structurally allusive poems - as with his relationship to Hardy, Kierkegaard and his elegies' subjects - Auden's sometimes accepting, sometimes skeptical attitude toward his poetic models is on powerful display, and finds a perfect counterpart in the tension between imitative form and critical content.

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