Inside the Expressive Culture of Chinese Women's Mosques

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A01=Maria Jaschok
Author_Maria Jaschok
Category=GTM
Category=JBSF1
Category=JHMC
Category=QRA
Category=QRP
Category=QRRL
Confucian-Islamic intersections
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
ethnographic fieldwork China
female religious agency
forthcoming
gendered religious practice
Hui Muslim women
Islamic soundscapes
women's mosque piety central China

Product details

  • ISBN 9781032618531
  • Dimensions: 156 x 234mm
  • Publication Date: 22 May 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book presents a multi-voice narrative of the history and significance of current contestations over the increasing prominence of expressive piety in Hui Muslim women’s mosques in central China.

By drawing on a ‘Song Book’ of chants, collected from the tradition of women’s mosques, as context it reveals just how the increasing prominence of female voices has given rise to considerable misgivings among senior religious leaders over the potential destabilization of orthodox Islamic gendered practices. Providing a historical introduction to the place and function of Islamic chants, jingge and zansheng, the book gives a conceptual framing of female silence, sound, and agency in local translations of Confucian and Islamic precepts, and women’s personal accounts of the role played by traditional and modern soundscapes in transmitting and celebrating Islamic knowledge and faith.

As a study of women's soundscapes and the significance of legitimacy, ambiguities, and implications of female sound, this book will be of considerable interest to students and scholars of Chinese society and culture, gender studies, cultural anthropology, and Islam.

Maria Jaschok is Senior Research Associate of Contemporary China Studies at the Oxford School of Global and Area Studies, University of Oxford, UK.

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