Institutions and Patronage in Renaissance Music
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B01=Thomas Schmidt-Beste
Category1=Non-Fiction
Category=AVLA
Category=NL-AV
ceremonial performance
choral education
COP=United Kingdom
court and church music patronage systems
employment of Renaissance composers
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
female music sponsorship
Format=BB
IMPN=Ashgate Publishing Limited
ISBN13=9780754629320
Language_English
liturgical repertoire
music historiography
PA=Available
PD=20120217
Price=€200 to €500
PS=Active
PUB=Taylor & Francis Ltd
Subject=Music
WG=1383
Product details
- ISBN 9780754629320
- Weight: 1300g
- Dimensions: 174 x 246mm
- Publication Date: 17 Feb 2012
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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The practice and composition of music require patronage and institutional support, and they require it in a different fashion from that found in other forms of art. This collection of essays brings together the most recent and important contributions by leading scholars in the field to this crucial aspect of Renaissance musical culture. The articles approach the topic from a number of perspectives and consider the institutions and individuals engaged in supporting music; the systems of employment, benefices and sponsorship put in place to facilitate the support; and where, how and why music was sung and played. Taken together, these articles enable conclusions to be drawn about the interests of patrons and about the social and artistic status of musicians and composers within the courtly and urban context.
Thomas Schmidt-Beste is Professor of Music and Head of School, Bangor University, UK
