Institutions of World Literature

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African Literature
Alain Mabanckou
Andrew van der Vlies
archival research methods
Ben Yiju
Book History
Category=DSA
Category=DSBH5
Chimamanda Ngozi Adichie
Claire Ducournau
Common Language
Comparative Literature
David Damrosch
David Watson
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Ghosh's Text
Ghosh’s Text
Gisele Sapiro
global literary markets
Heinemann African Writers Series
Helena C. Buescu
Implied Writer
Institution
Institutionalization
Ivory Coast
Josefina Ludmer
Leonardo Padura
Liliana Weinberg
literary institutionalization
Literature
Mads Rosendahl Thomsen
Mapping World Literature
Maria Olaussen
Market
Michel Le Bris
Pascale Casanova
Peter D. McDonald
Pieter Vermeulen
Postcolonial
postcolonial literary studies
Read World Literature
Research
Sarah Brouillette
Silex
Translation
Translation Studies
translation theory
Transnational
transnational literary circulation
transnational literature
UNESCO Index Translationum
Van Der Vlies
Vice Versa
World Literary Space
World Literature
World Literature Criticism
World Literature's Market
Young Man
Yvonne Lindqvist

Product details

  • ISBN 9781138547728
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 12 Feb 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This volume engages critically with the recent and ongoing consolidation of "world literature" as a paradigm of study. On the basis of an extended, active, and ultimately more literary sense of what it means to institute world literature, it views processes of institutionalization not as limitations, but as challenges to understand how literature may simultaneously function as an enabling and exclusionary world of its own. It starts from the observation that literature is never simply a given, but is always performatively and materially instituted by translators, publishers, academies and academics, critics, and readers, as well as authors themselves. This volume therefore substantiates, refines, as well as interrogates current approaches to world literature, such as those developed by David Damrosch, Pascale Casanova, and Emily Apter. Sections focus on the poetics of writers themselves, market dynamics, postcolonial negotiations of discrete archives of literature, and translation, engaging a range of related disciplines. The chapters contribute to a fresh understanding of how singular literary works become inserted in transnational systems and, conversely, how transnational and institutional dimensions of literature are inflected in literary works. Focusing its methodological and theoretical inquiries on a broad archive of texts spanning the triangle Europe-Latin America-Africa, the volume unsettles North America as the self-evident vantage of recent world literature debates. Because of the volume’s focus on dialogues between world literature and fields such as postcolonial studies, translation studies, book history, and transnational studies, it will be of interest to scholars and students in a range of areas.

Stefan Helgesson is Professor of English at Stockholm University. He is the author of Writing in Crisis: Ethics and History in Gordimer, Ndebele and Coetzee (2004) and Transnationalism in Southern African Literature (2009), and the editor of Literary History: Towards a Global Perspective, vol. 4 (2006). Pieter Vermeulen is Assistant Professor of American Literature at the University of Leuven, Belgium. He is the author of Romanticism after the Holocaust (2010) and Contemporary Literature and the End of the Novel: Creature, Affect, Form (2015).