Insubordination of Photography

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A01=Angeles Donoso Macaya
Author_Angeles Donoso Macaya
Authoritarianism
Category=AGA
Category=AJF
Category=NHK
Chilean dictatorship
Chilean military coup
collective memory
documentary film
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Forensic and documentary photography
history of Chile
human rights activism
Materiality of documents
media under Pinochet
Photographic evidence
Photojournalism
politics and culture
South American History
visual culture

Product details

  • ISBN 9781683403548
  • Weight: 216g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Jan 2023
  • Publisher: University Press of Florida
  • Publication City/Country: US
  • Product Form: Paperback
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Latin American Studies Association Visual Culture Section Best Book Prize

Latin American Studies Association Historia Reciente y Memoria Section Best Book PrizeThe role of documentary photography in exposing and protesting the crimes of a dictatorship. After Augusto Pinochet rose to power in Chile in 1973, his government abducted, abused, and executed thousands of his political opponents. The Insubordination of Photography is the first book to analyze how various collectives, organizations, and independent media used photography to expose and protest the crimes of Pinochet’s authoritarian regime.

Ángeles Donoso Macaya discusses the ways human rights groups such as the Vicariate of Solidarity used portraits of missing persons in order to make forced disappearances visible. She also calls attention to forensic photographs that served as incriminating evidence of government killings in the landmark Lonquén case. Donoso Macaya argues that the field of documentary photography in Chile was challenged and shaped by the precariousness of the nation’s politics and economics and shows how photojournalists found creative ways to challenge limitations imposed on the freedom of the press.

In a culture saturated by disinformation and cover-ups and restricted by repression and censorship, photography became an essential tool to bring the truth to light. Featuring never-before-seen photographs and other archival material, this book reflects on the integral role of images in public memory and issues of reparation and justice.

A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Ángeles Donoso Macaya is professor of Spanish at the Borough of Manhattan Community College/CUNY and professor of Latin American culture and visual studies at The Graduate Center/CUNY. She is coeditor of Latinas/os on the East Coast: A Critical Reader.

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