Integrative Performance

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A01=Experience Bryon
Acting
Author_Experience Bryon
Back Body
Breath Dance
Breath Move
Category=AB
Category=ATDC
Category=ATQ
Category=ATX
contemporary performance research
cross-disciplinary stage practice
Dance
Dancing
Directional Energy
Doable Action
Dynamic Alignment
embodied awareness techniques
Entire Character
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Felt Sense
Holographic Principle
Integrated
integrative performer training approaches
Interdisciplinary
IPP
Liminal Aesthetic
Max Miller
Middle Field
Pelvic Floor
Pelvic Girdle
Performance
Performative Object
performer conditioning methods
Perineal Centre
Santiago Theory
Sideways Roll
Singing
Solar Plexus
somatic performance training
Sweet Spot
Tensions Boil
Term Performativity
Theatre De Complicite
transdisciplinary arts pedagogy
Vocal Folds

Product details

  • ISBN 9780415694483
  • Weight: 430g
  • Dimensions: 174 x 246mm
  • Publication Date: 28 Apr 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Integrative Performance serves a crucial need of 21st-century performers by providing a transdisciplinary approach to training. Its radical new take on performance practice is designed for a climate that increasingly requires fully rounded artists. The book critiques and interrogates key current practices and offers a proven alternative to the idea that rigorous and effective training must separate the disciplines into discrete categories of acting, singing, and dance.

Experience Bryon’s Integrative Performance Practice is a way of working that will profoundly shift how performers engage with their training, conditioning and performance disciplines. It synthesizes the various elements of performance work in order to empower the performer as they practice across disciplines within any genre, style or aesthetic.

Theory and practice are balanced throughout, using:

  • Regular box-outs, introducing the work's theoretical underpinnings through quotes, case studies and critical interjections.
  • A full program of exercises ranging from training of specific muscle groups, through working with text, to more subtle structures for integrative awareness and presence.

This book is the result of over twenty years of practice and research working with interdisciplinary artists across the world to produce a training that fully prepares performers for the demands of contemporary performance and all its somatic, emotive and vocal possibilities.

Experience Bryon is Senior Lecturer in Performance Practices and Research at the Royal Central School of Speech and Drama.

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