Intellect Handbook of Men’s Fashion

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Cultural dress practices
Decolonizing fashion studies
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Fashion and identity
Fashion and race
Fashion history and masculinity
Fashion theory
Gender and clothing
Global perspectives on menswear
Intersectionality in dress
Masculinity and fashion
Power and dress
Queer and trans masculinities
Subcultural style

Product details

  • ISBN 9781835952238
  • Weight: 1155g
  • Dimensions: 170 x 244mm
  • Publication Date: 10 Apr 2026
  • Publisher: Intellect
  • Publication City/Country: GB
  • Product Form: Hardback
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The study of men’s fashion has evolved from an emerging subject to a dynamic and growing field, intersecting with critical conversations on gender, race, sexuality, disability, colonialism, and globalization.

The Handbook of Men’s Fashion pushes beyond conventional narratives by centering three guiding approaches: decentralizing and decolonizing men’s fashion studies, global viewpoints, and intersectionality. With 34 chapters from fashion and dress scholars, the collection offers a uniquely progressive perspective on the field’s development.

Divided into six sections—Theoretical Perspectives, People and Bodies, Places, Objects and Products, Promotions and Business, and Popular Culture—the book examines how masculinity is fashioned, contested, and expressed across time and space. Topics range from national dress and subcultural style to queer and disabled masculinities, luxury branding, and digital fashion communities. By centering histories and communities that have been marginalized in previous scholarship, the chapters collectively expand the boundaries of men’s fashion studies.

Rather than providing a definitive account, The Handbook of Men’s Fashion serves as an invitation to rethink the field, interrogate absences, and imagine new possibilities. It is an essential resource for scholars, students, and industry professionals invested in the past, present, and future of men’s fashion.

The main audience for this book is academic, but it will also appeal to fashion practitioners, curators, and cultural critics, and to general readers interested in the history, culture, and meaning of men’s fashion and dress.

Ben Barry, PhD, is dean and associate professor of equity and inclusion in the School of Fashion at Parsons School of Design, New York.

Andrew (Andy) Reilly, PhD, is professor and curator in the Fashion Design and Merchandising program at the University of Hawai‘i, Mānoa.

José Blanco F., PhD, is associate professor in the History of Art Department at the Fashion Institute of Technology, New York.