Interactive Cinema

Regular price €28.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Marina Hassapopoulou
Age Group_Uncategorized
Age Group_Uncategorized
AI
American West
art
Artificial Intelligence
audience
Author_Marina Hassapopoulou
automatic-update
B movies
Category1=Non-Fiction
Category=AFKV
Category=APFA
Category=ATFA
Category=JBCT
Category=JFD
cattle baron
Cheyenne
Cinema
Claire Watkins series
communications
COP=United States
crime fiction
cultural studies
Delivery_Delivery within 10-20 working days
Digital Humanities
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethics
history
Hollywood
homestead
interactivity
Irish immigrants
Language_English
Media Studies
Midwest writer
multimedia
murder mystery
PA=Available
Plains
Price_€20 to €50
PS=Active
rural
sensory
softlaunch
strong female character
The Streel

Product details

  • ISBN 9781517915223
  • Weight: 425g
  • Dimensions: 140 x 216mm
  • Publication Date: 25 Jun 2024
  • Publisher: University of Minnesota Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

Connecting interactive cinema to media ethics and global citizenship

 

Interactive Cinema explores various cinematic practices that work to transform what is often seen as a primarily receptive activity into a participatory, multimedia experience. Surveying a multitude of unorthodox approaches throughout the history of motion pictures, Marina Hassapopoulou offers insight into a range of largely ephemeral and site-specific projects that consciously assimilate viewers into their production.

 

Analyzing examples of early cinema, Hollywood B movies, museum and gallery installations, virtual-reality experiments, and experimental web-based works, Hassapopoulou travels across numerous platforms, highlighting a diverse array of strategies that attempt to unsettle the allegedly passive spectatorship of traditional cinema. Through an exploration of these radically inventive approaches to the medium, many of which emerged out of sociopolitical crises and periods of historical transition, she works to expand notions of interactivity by considering it in both technological and phenomenological terms. 

 

Deliberately revising and expanding Eurocentric scholarship to propose a much broader, transnational scope, the book emphasizes the ethical dimensions of interactive media and their links to larger considerations around community building, citizenship, and democracy. By combining cutting-edge theory with updated conventional film studies methodologies, Interactive Cinema presses at the conceptual limits of cinema and offers an essential road map to the rapidly evolving landscape of contemporary media.

Marina Hassapopoulou is assistant professor of cinema studies at New York University’s Tisch School of the Arts.

More from this author