InterMedia in South Asia

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Bollywood
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Category=GTM
Category=JBCC
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Category=KNT
Category=NH
Chhatrapati Shivaji Terminus
Coercive Mimeticism
Cultural Studies
De Valck
Diaspora and Globalisation Studies
Diasporic South Asians
digital cultures
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eq_business-finance-law
eq_history
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eq_society-politics
Film
Film Festival
Fourth Screen
Gujarat Genocide
Indian Film Festivals
Internet and Cyber Cultures
Juhu Beach
Machinic Phylum
Media
media ecologies
new media public formation
Online Rituals
Pay Tv Channel
peer to peer networks
Photography and Visual Culture
RGB.
Satellite Television Asia Region
Search Lights
Shocking Dispersal
South Asian diaspora
South Asian Musical
South Asian Popular Culture
Star Tv
subaltern media practices
Tamil Nadu
transnational communication
TV and New Media
Tv Asia
Ya Sin
Young Man
Zee News
Zee Tv

Product details

  • ISBN 9780415698184
  • Weight: 400g
  • Dimensions: 174 x 246mm
  • Publication Date: 14 Feb 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The emergence of new media today in South Asia has signalled an event, the meaning of which remains obscure but whose reality is rapidly evolving along gradients of intensity and experience. Contemporary media in and from South Asia have come to sense a new arrangement of value, sensation, and force - new forms of becoming that might be usefully termed as 'media ecologies'. This evolution from nation-based forms of communication (Doordarshan, All India Radio, the "national" feudal romance) to simultaneous global ones conform and mutate the structures of feeling of local, national, diasporic and transnational belonging. This collection of original essays is concerned with understanding how people are making meaning from the new media and how subaltern tinkering (pirating, peer to peer file sharing, hacking, noise jamming, indymedia, etc.) does things to and in the new media. This exciting works helps us to make sense of the creation of new publics, new affects and new experiences of pleasure and value in convergences of intermedia in a fast developing South Asia context.

This book was originally published as a special issue of South Asian Popular Culture.

Rajinder Dudrah is Senior Lecturer and Director of the Centre for Screen Studies at the University of Manchester, UK. He has researched and published widely in film, media and cultural studies in international journals. His books include Bollywood: Sociology Goes to the Movies (2006), Bhangra: Birmingham and Beyond (2007), and The Bollywood Reader (2008). Sangita Gopal is an Assistant Professor of English and Cinema Studies at the University of Oregon, USA. She has researched and published in the fields of postcolonial studies, film studies and feminist theory. Her publications include an edited volume of essays, Global Bollywood: Travels of Hindi Film Music (2008) and Conjugations: Family and Film Form in New Bollywood Cinema (2011). She is currently working on a project entitled Mutant Media that looks at issues of intermediality and time in a postcolonial context. Amit S. Rai is Senior Lecturer in New Media and Communication at Queen Mary, University of London, UK. He has published across the range of queer, feminist, postcolonial, and media studies, increasingly focusing on questions of affect, sensation, technology, and political economy. He is the author of Untimely Bollywood: Globalization and India's New Media Assemblage (2009). He is currently at work on a study of Indian mobile phone media and its emergent ecology of sensation. Anustup Basu is Assistant Professor in English and Cinema Studies at University of Illinois, USA, at Urbana-Champaign. His essays on cinema, new media, and philosophy/politics of information have appeared in various international journals. He is the author of Bollywood in the Age of New Media: The Geo-televisual Aesthetic (2010).