Intermediality in European Avant-garde Cinema

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A01=Loukia Kostopoulou
Alexander Sokurov
Andrei Tarkovsky
Author_Loukia Kostopoulou
Avant Garde Cinema
Ball Room
Category=ATF
Category=JBCT
Cinematic Experience
contemporary film studies
Contemporary Society
Critical Dystopias
cross-disciplinary analysis
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Errant Spectator
european avant-garde
european cinema
European Construct
experimental film theory
Film Socialisme
Intermedial Approach
Intermedial Experiments
intermedial film analysis methods
Intermedial Theory
intermediality
Lars Von Trier
Mainstream Cinema
media hybridity
Post-classical Cinema
Russian Ark
Silent Film Era
Slow Cinema
spectatorship and meaning
Tableaux Vivants
Tv News
visual arts integration
Von Trier
Von Trier's Films

Product details

  • ISBN 9781032424897
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Jun 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The book proposes a new perspective on avant-garde cinema, utilising approaches from intermediality to explore how the spirit of experimentation, a hallmark of historical avant-garde and post-war artistic movements, is still present in contemporary filmmaking today.

The volume explores how contemporary avant-garde filmmakers have brought innovation to modern cinema. Filmmakers, such as, Jean-Luc Godard, Lars von Trier, and Alexander Sokurov and their contemporary works will be analyzed, reflecting on their experimentation with cinematic techniques and the mixing of the film medium with other media, such as literature, theatre, and painting. Important research questions considered throughout the book include: How do intermedial experiments convey meaning in films? What is the impact on the spectator of the mixing of various media forms in cinema? And how are the contemporary films of Jean-Luc Godard, Lars von Trier, and Alexander Sokurov innovative and experimental? The book is devoted to all these themes and provides a thorough analysis of contemporary films examined through an intermedial perspective.

Providing a comprehensive analysis of contemporary avant-garde filmmaking from an intermedial perspective, this book will be of interest to graduate students and scholars working in intermedial studies, film and media studies, and cultural studies.

Loukia Kostopoulou is a Senior Teaching and Research Fellow at the School of French, Aristotle University of Thessaloniki where she teaches film studies, audiovisual adaptation, and audiovisual translation at both undergraduate and graduate level. She is also a researcher and coordinator of the Media Research Group (at AUTh SemioLab). She has been a Visiting Scholar to several academic institutions, among which the Department of Multimedia and Graphic Arts at Cyprus University of Technology, and New Bulgarian University. She has completed a postdoctoral research project at the Department of Journalism and Mass Communications AUTh in the field of European avant-garde cinema. She is co-editor of The Fugue of the Five Senses and the Semiotics of the Shifting Sensorium (Hellenic Semiotic Society, 2019), New Paths in Theatre Translation and Surtitling (Routledge, forthcoming), Transmedial Perspectives on Humour and Translation: From Page to Screen to Stage (Routledge, forthcoming), and Managing Editor of Punctum. International Journal of Semiotics.

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