International Photojournalism Industry

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A01=Jonathan Ilan
Agency Photographer
Agency's Pictures
Agency’s Pictures
Assistant Picture Editor
Author_Jonathan Ilan
Cannon's Barrel
Cannon’s Barrel
Category=AJ
Category=JBCT
Category=JBCT4
Category=KNTP2
Chief Photographer
communication studies
cultural production
Daya Thussu
Doctored Pictures
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Global Desk
global news photography practices
Global News Providers
Graphic Journalists
Image Brokers
image commodification
International Desk
international media
International News Agency
International News Production
journalism
Keyword Editor
Keyword Process
Largest International News Agencies
media history
media industires
media sociology
media studies
news agency
news agency workflow
News Images
News Pictures
Pager Device
participant observation research
photographer
photographic ethics
photography
photojournalism
Pictures Department
Pictures Editor
Sending Process
The Guardian
Thomson Reuters
Tv Crew
visual journalism
visual studies
Yedioth Ahronoth

Product details

  • ISBN 9781138897588
  • Weight: 612g
  • Dimensions: 152 x 229mm
  • Publication Date: 18 Jul 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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How are events turned into news pictures that define them for the audience? How do events become commodified into pictures that both capture them and reiterate the values of the agencies that sell them? This book looks at every stage of the production of news photographs as they move to and from the ground and are sold around the world. Based on extensive fieldwork at a leading international news agency that includes participant observation with photographers in the field, at the agency’s local and global picture desks in Israel, Singapore, and the UK, in-depth interviews with pictures professionals, and observations and in-depth interviews at The Guardian’s picture desk in London, the findings in this book point to a wide cultural production infrastructure hidden from – and yet also nurtured and thus very much determined by – the consumer’s eye.

Jonathan Ilan is Lecturer in the School of Communication at Bar-Ilan University, Israel

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