International Politics of Fashion

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aesthetic theory
aesthetic turn
Bleiker
Burqa Ban
Category=AF
Category=AJ
Category=JBCC
Category=JBCC1
Category=JBCT
Category=JPA
Category=JPH
Category=JPS
Category=JPWC
Category=JW
Category=NH
clothing
critical international relations
cultural identity garments
Daniel Conway
Demarcation Lines
eq_art-fashion-photography
eq_bestseller
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fashion
fashion as political discourse
Fashion Studies
Fast Fashion Retailers
feminist political analysis
Fine Day
gender and dress politics
Hazel Clark
IR theory
Islamic Fashion
L.H.M. Ling
Linda Bishai
London Fashion Week
M.I. Franklin
Magritte's Art
Magritte’s Art
Mamie Till
Mary Hope Schwoebel
Michelle Obama
Molly Rottman
Muslim World
NATO Summit
Negative Orientalism
Petit Trianon
political rhetoric
Positive Orientalism
Public Order Laws
Public Order Police
Rosemary E. Shinko
Sartorial Appearance
Sartorial Code
Sartorial Performances
Somali Style
Sudanese Women
symbolic communication clothing
UK Campaign
Women's Physical Security
Women’s Physical Security
Young Men

Product details

  • ISBN 9781138788985
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Jul 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book seeks to address and fill a puzzling omission in contemporary critical IR scholarship. Following on from the aesthetic turn in IR, critical and ‘postmodern’ IR has produced an impressive array of studies into movies, literature, music and art and the way these media produce, mediate, and represent international politics. By contrast, the proponents of the aesthetic turn have overlooked fashion as a source of knowledge about global politics.

Yet stories about the political role of fashion abound in the news media. Margaret Thatcher used dress to define her political image, and more recently the fascination with Michelle Obama, Carla Bruni and other women in similar positions, and the discussions about the appropriateness of their wardrobes, regularly makes the news. In Sudan, a female writer and activist successfully challenged the government over her right to wear trousers in public and in Europe, the debate on women’s headscarves has politicised a garment item and turned it into a symbol of fundamentalism and oppression. In response, the contributors to this book investigate the politics of fashion from a variety of perspectives, addressing theoretical as well as empirical issues, establishing the critical study of fashion and its protagonists as a central contribution to the aesthetic turn in international politics.

The politics of fashion go beyond these examples of the uses and abuses of textiles and fabrics for political purposes, extending into its very ‘grammar’ and vocabulary. This book will be a unique contribution to the field and will be of interest to students and scholars of international relations, critical IR theory and popular culture and world politics.

Andreas Behnke is Associate Professor in International Political Theory at the University of Reading, UK