International Study of Film Museums

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A01=Rinella Cere
American cinema
archival activities
audiovisual preservation
Author_Rinella Cere
Category=ATF
Category=GLZ
Cinema Museum
Cinema's Heritage
Cinematheque Francaise
Cinematographic Apparatuses
Cinematographic Culture
Cinema’s Heritage
comparative analysis of film museums
cultural heritage
cultural memory institutions
Del Cinema
Early Italian Cinema
Eastman House
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European museum
Film Archives
Film Festivals
film historiography
Film Library
Film museums
heritage management theory
Humanity's cultural heritage
Italian Cinema Culture
Le Moulin De La Galette
Magic Lanterns
Media Museum
Mole Antonelliana
Moving Picture
Museo Nazionale del Cinema
museological activities
museology studies
National Film Centre
National Film Library
National Media Museum
National museums
National science
National Science and Media Museum
Palais De Chaillot
Palais De Tokyo
Photographic Exhibitions
photography and cinema
pre-cinematographic artefacts
Rue De Courcelle
Turin Museum
UK Film Industry
Venice Film Festival
visual culture research

Product details

  • ISBN 9780415432245
  • Weight: 390g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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An International Study of Film Museums examines how cinema has been transformed and strengthened through museological and archival activities since its origins and asks what paradoxes may be involved, if any, in putting cinema into a museum.

Cere explores the ideas that were first proposed during the first half of the twentieth century around the need to establish national museums of cinema and how these have been adapted in the subsequent development of the five case studies presented here: four in Europe and one in the USA. The book traces the history of the five museums' foundation, exhibitions, collections, and festivals organised under their aegis and it asks how they resolve the tensions between cinema as an aesthetic artefact – now officially recognised as part of humanity's cultural heritage – and cinema as an entertainment and leisure activity. It also gives an account of recent developments around unifying collections, exhibition activities and archives in one national film centre that offers the general public a space totally devoted to film and cinematographic culture.

An International Study of Film Museums provides a unique comparative study of museums of cinema in varying national contexts. The book will be of interest to academics and students around the world who are engaged in the study of museums, archives, heritage, film, history and visual culture.

Rinella Cere is a Reader in Media and Cultural Studies at Sheffield Hallam University. She teaches the courses Globalisation and the Media and Postcolonial Media Culture and her publications include books, chapters and journal articles on media and popular culture in Britain, France and Italy. She is continuing to research museums of cinema around the world.

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