International Trade and the Music Industry

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A01=Lisa Gordon
Author_Lisa Gordon
BTS
Caribbean Leaders
Caribbean Territories
CARICOM
CARICOM Member State
CARIFORUM Countries
Category=KCD
Category=KCLT
Category=KCM
Category=KCP
Category=KNTF
Continental EU
creative and cultural industries
CRNM
cultural policy analysis
entertainment service exports
EPA
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
EU Territory
EU-CARIFORUM Economic Partnership Agreement
Extra-regional Markets
Face To Face
festivals
French Caribbean
French Caribbean Territories
international music trade strategies
international relations
international trade theory
Interregional Trade
K Pop
legal frameworks in trade
Linder Hypothesis
Live Music
Live Music Events
Live Music Industry
Mainland France
microeconomic modelling
music industry globalisation
Non-sovereign Territories
race and ethnicity
regionalism
South South Trade
statistical modelling
sustainable development
technology
trade agreement impact
Trade Facilitation Measures
Violating

Product details

  • ISBN 9781032380612
  • Weight: 260g
  • Dimensions: 138 x 216mm
  • Publication Date: 31 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Live music events are synonymous with fun but seldom associated with international trade. This book serves to transform this mindset, through describing the economic value of live music and analysing the factors affecting international trade in Caribbean live music services.

Race and ethnicity, unachieved regionalism within the Caribbean, and perceived biases in international trade agreements are assessed in relation to their impact on this trade. Several topics presented in this book are based on empirical findings from a previous microeconomic study, dedicated entirely to international trade in live music. Moreover, this book is unique because it compares the Caribbean and South Korea to assess the effectiveness of strategies aimed at developing international trade in live music services. This comparison should inspire robust policy initiatives for advancing international trade in Caribbean live music, given that South Korea is presently a heavyweight in the export of its entertainment services, despite language barriers.

Given the interdisciplinary nature of this book, it will appeal to a wide range of readers such as postgraduate students or researchers of microeconomics, intraregional trade, international trade, international business, international relations, public policy, and cultural studies, as well as IP legal professionals, live music stakeholders, cultural practitioners, and policymakers.

Lisa Gordon earned a PhD in International Relations with a specialty in International Trade from the University of the West Indies, St Augustine, Trinidad and Tobago. Dr. Gordon also received a master’s degree in International Business and Foreign Languages from the Université Lumiere, Lyon 2, France. As a multilingual researcher, her expertise in international trade and international business has been sought by the Regional Council of Guadeloupe, the Université Rennes, France as well as French business consultancy firm ADEA-EURAFRIC Partners.

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