Interpreting Mozart

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A01=Eva Badura-Skoda
A01=Paul Badura-Skoda
authentic Mozart piano performance practices
Author_Eva Badura-Skoda
Author_Paul Badura-Skoda
cadenzas in classical music
Category=AVLA
Category=AVN
Chopin
classical era interpretation
E-flat Major
eighteenth century keyboard
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historically informed performance
Knee Levers
Late Concertos
Legato Slurs
Leopold Mozart
Major Concerto
Major Sonata
Minor Concerto
Minor Sonata
modern instruments
Modern Piano
Mozart's Autograph
Mozart's Concertos
Mozart's Music
Mozart's Notation
Mozart's Piano
Mozart's piano work
Mozart's Time
Mozart's Works
Mozart’s Autograph
Mozart’s Concertos
Mozart’s Music
Mozart’s Notation
Mozart’s Piano
Mozart’s Time
Mozart’s Works
musical composition
musical education
Musical Instrument Museum
Neue Mozart Ausgabe
ornamentation techniques
Paul Badura-Skoda
Piano Concerto
Piano Part
Piano Sonata
tempo and rhythm analysis
Vice Versa
Violin Sonata

Product details

  • ISBN 9780415977517
  • Weight: 940g
  • Dimensions: 178 x 254mm
  • Publication Date: 08 Jun 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Paul Badura-Skoda is considered to be one of the great pianists of his generation, as well as an important scholar who has created definitive editions of many of the works of the Viennese masters, most notably Wolfgang Amedeus Mozart. With his wife, the noted musicologist Eva Badyra-Skoda, he wrote the highly influential Interpreting Mozart on the Keyboard, first published in German in 1957, then in English and Japanese in 1962 and 1963, respectively. Long out of print, this important work has never been updated to reflect the last half-century of scholarship on Mozart's music. Now, the husband and wife team have tackled this project, producing an entirely new text that will serve students and scholars of keyboard literature and of the great composer.

Paul Badura-Skoda is one of the most important pianists of our time. In 1945, Badura-Skoda entered the Vienna entered the Vienna Conservatory, and two years later won first prize in the Austrian Music Competition and a scholarship which allowed him to study with Edwin Fischer. In 1949, Wilhelm Firtwängler and Herbert von Karajan became aware of Badura-Skoda's outstanding talent, and invited him to play concerts. Practically overnight the young Viennese became a world-famous artist. Since then, Badura-Skoda has been a regular and celebrated guest at the most important music festivals, and a soloist with world's most prestigious orchestras.

Eva Badura-Skoda is a musicologist, publishing extensively on the history of the piano and on performance-practice problems of the 18th and 19th centuries.

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