Intersections

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Animation
Appropriation
Architecture
artistic exchange
Byzantine
Cairo's Historic Qarafa Cemetery
Cairo’s Historic Qarafa Cemetery
calligraphy
Cappella Palatina
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Christianity
Cosmopolitanism
Crusader intercultural
cultural intersections
Cultural pluralism in art
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Global Community
Islam
Islamic Art
Islamic Pottery
Islamic Visual Art
Islamicate
Kwame Anthony
Late Antique Christian communities
Late Antiquity
Medieval
Mediterranean
Middle Ages
Middle East
Mosaics
motives
Museums
Muslim Culture
Muslim Mediterranean
Muslim Societies
Norman Sicily
North Africa
paintings
Palermo
photography
private collections
Psalm 136
Qur'an 55
South Africa
South Asian
Textiles
the scribe of the Raqqa jug
Themes

Product details

  • ISBN 9781683401971
  • Weight: 1876g
  • Dimensions: 263 x 306mm
  • Publication Date: 24 Aug 2021
  • Publisher: University Press of Florida
  • Publication City/Country: US
  • Product Form: Hardback
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This richly illustrated volume highlights the history of Islamic cosmopolitanism as documented through works of art from the eighth century to the present; from the Mediterranean, North Africa, South Asia, and the United States; and including painting, architecture, textiles, calligraphy, photography, and animation. These essays examine Muslim artists, patrons, and collectors' engagement with global influences, as well as artistic exchange between Muslim and non-Muslim societies.

Drawing on Kwame Anthony Appiah's view of cosmopolitanism as respect for the differences among people and acknowledgment of a shared community across those differences, leading scholars offer case studies of art objects that illustrate such dynamics in the Islamic cultural sphere. In doing so, they bring Islamic art history into dialogue with Western European medieval art, Byzantine art, African art, global modern art, and American art and architecture. This timely volume demonstrates the importance of cultivating coexistence, becoming citizens of the world, and recognizing the possibilities of cultural intersections. It offers historical examples of such intersections, for which works of art provide a visual testament.

Melia Belli Bose, associate professor of South Asian art history at the University of Victoria, is the author of Royal Umbrellas of Stone: Memory, Politics, and Public Identity in Rajput Funerary Art and editor of Women, Gender and Art in Asia, c. 1500–1900.