Intimacy and the Anxieties of Cinematic Flesh

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A01=Patrick Fuery
anxiety
Author_Patrick Fuery
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desire
Dufrenne
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film theory
flesh
Freud
Husserl
Intimacy
Lacan
Merleau-Ponty
object and time
phenomenology
philosophical fields
psychoanalysis
sensual phantasm
study of cinema
sublime
thingness

Product details

  • ISBN 9781501376351
  • Dimensions: 152 x 229mm
  • Publication Date: 23 Feb 2023
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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In a "return" to Edmund Husserl and Sigmund Freud, Intimacy and the Anxieties of Cinematic Flesh explores how we can engage these foundational thinkers of phenomenology and psychoanalysis in an original approach to film. The idea of the intimate spectator caught up in anxiety is developed to investigate a range of topics central to these critical approaches and cinema, including: flesh as a disruptive state formed in the relationships of intimacy and anxiety; time and the formation of cinema’s enduring objects; space and things; the sensual, the "real" and the unconscious; wildness, disruption, and resistance; and the nightmare, reading "phantasy" across the critical fields.

Along with Husserl and Freud, other key thinkers discussed include Edith Stein, Roman Ingarden, Maurice Merleau-Ponty, Mikel Dufrenne in phenomenology; Melanie Klein, Ernest Jones, Julia Kristeva, and Rosine Lefort in psychoanalysis. Framing these issues and critical approaches is the question: how might Husserlian phenomenology and Freudian/Lacanian psychoanalysis, so often seen as contradistinctive, be explored through their potential commonalities rather than differences? In addressing such a question, this book postulates a new approach to film through this phenomenological/psychoanalytic reconceptualization. A wide range of films are examined not simply as exemplars, but to test the idea that cinema itself can be a version of critical thinking.

Patrick Fuery is Director and Professor of the Center for Creative and Cultural Industries, Chapman University, USA. He was previously Reader in Film, Royal Holloway, University of London, Professor of Film, Sussex University, UK. He is the author of 8 books in the areas of film, psychoanalysis, phenomenology, cultural theory, and visual cultures. He is currently working on a book on the phenomenology and psychoanalysis of wildness.

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